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Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

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Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

No synopsis available yet.

No synopsis available yet.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

No synopsis available yet.

Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

No synopsis available yet.

No synopsis available yet.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

The story takes place in a mansion in the Jardim América neighborhood of São Paulo. The lonely Rodrigo, a wealthy man from Rio Grande do Sul, lives with seven ambitious women who plan to swindle him out of his fortune: the flight attendants Regina and Cláudia, the showgirl Ciça, Madalena, Dulce, Dinorah, and the manicurist Suzete.

'Ti-Ti-Ti' presents a humorous plot, set in São Paulo, whose central theme is the professional, familial, and romantic rivalry between André Spina and Ariclenes Martins, or Ari, as he is known to those closest to him. The two were childhood friends and always fought a lot, engaging in tireless disputes over the same girlfriends.

In 1970, during a glittering New Year's Eve party attended by the aristocracy, a young pantry maid named Zaíra is mysteriously murdered. Thirteen years later, the prime suspect—Gastão, a humble waiter and former colleague of the victim—seeks to prove his innocence with the help of his son, Nil, becoming entangled in the lives of the other party guests. The story also follows a cunning pair of jewel thieves: the sophisticated Antônia Regina and João Maria—a criminal lawyer and member of the declining aristocracy who takes up the cause of Nil's father.

Unhappy in her marriage, Rachel decides to separate from her husband, the businessman Virgílio. Determined to turn her life around, she moves from Petrópolis to the southern zone of Rio de Janeiro with her daughter, Clara, and goes to live in her mother Laura's house in Ipanema. There she falls in love with the charming, but gruff, Heitor, owner of a mechanic shop. He lives with his sister, Irene, in an old townhouse, one of the main settings of the telenovela.

In the 1950s, Lurdinha and Marcos fall in love at the first sight. She studies at the Institute of Education, and he studies at the Military College. Two traditional educational institutions in 'Tijuca', in the North Zone of 'Rio de Janeiro'. But Lurdinha's conservative parents reject Marcos because he is son of separated parents and try, in every way, to keep him away from her.

The miniseries addresses the difficulties in romantic relationships through the story of five middle-class couples with different views on marriage, love and fidelity. The protagonists, housewife Alice (Marília Pêra) and dentist Jorge (Cláudio Marzo), married for eight years, seem like a perfect couple. However, the union is in crisis because they are unable to have a child. Jorge discovers that he is sterile and, disappointed, does not reveal the fact to Alice, who suffers from not being able to get pregnant. The relationship becomes increasingly difficult due to the lack of dialogue and they become violent towards each other. A murder connects the plots: in the first chapter, the viewer learns that there was a crime, but does not know who the victim is: Jorge or Alice. The mystery is only revealed in the last chapter, when it is discovered that Jorge is the murderer.

The main axis of the miniseries is the story of the couple Mendonça and Maria Rita. The plot begins when Mendonça, a Physics teacher, turns 40. Discouraged with life and dissatisfied with his work, he complains about the routine and lack of prospects. His big dream was to do a postgraduate degree outside of Brazil, but he ended up not taking the project forward and suffers because of it to this day. He also doesn't feel happy in his romantic relationship, having settled into a marriage that has lasted several years. Maria Rita, in turn, is a journalist and is on the rise professionally. In his personal life, he knows that his marriage is not going well and he suffers from his partner's discouragement, but he ends up having a great idea thanks to this crisis: creating an interview program on the station where he works.