Akhtem Seitablaiev

How much is contained in these two words—irritation, tenderness, laughter, love. And a little shame, when she knows everything about you. Even what you yourself have forgotten. This film is about all mothers and for all of us. About those moments when you say, “Mooom, don’t start”—and she starts. About the calls with the question, “Have you eaten?” when you are in a courtroom or on a date. About superpowers that work even thousands of kilometers away.

How does war resonate in a peaceful life? How does it melt in the mind of a creative person? In the documentary film "Wind from East" the authors are looking for answers to these questions. In the picture, the two worlds are peace and war, but peace is a theater where preparatory rehearsal work takes place, and war is also a theater, but at war. There is another world that stands alone - it is a play played by actors, rethinking their own experience of involvement in the war and the texts of Alexander Dovzhenko and contemporary Ukrainian authors. These worlds combine interviews with people, with those who joined the actors' trips to the east, with the military, who received the actors and became spectators directly on the front line.

As a result of a terrible car accident, young Ukrainian athlete Oksana Boturchuk suffers several serious injuries, almost losing her eyesight. However, after long rehabilitation and a returning to incredible training, she is able to conquer a gold medal at the Paralympic Games in Beijing.

A documentary film about the rise of Ukrainian cinema both at the national level and on the international stage.

Pianist-adventurer Misha gets a job with the old owner of a mysterious house-quest. But he does not know that the question "WHERE IS THE MONEY?" interested not only in him. Everyone in this house is looking for money.

Seventeen-year-old hearing-impaired Olga, along with her father Roman, stepmother Maryna and younger brother Sashko, is about to embark on a dangerous journey to the west of the country to escape the advancing Russian forces. However, their house is suddenly occupied by enemy soldiers.

Old and quarrelsome workers of rural TV channel Youth are conducting the last broadcast before the channel closing. During the broadcast, they are rethinking the last 25 years of their lives.

Maksym is a pilot of an Mi-8 military helicopter, call sign "Sikora". Raised by his military grandfather, Maksym has been used to acting on moral grounds rather than under stress since childhood. When a full-scale war breaks out, he does not immediately rush into battle. But after the atrocities committed by the Russian military in Bucha, Irpin, and Donetsk region, he can no longer remain silent. The viewer is presented with a story not only of war, but also of the inner transformation of a man who is faced with the choice every day to stay on the sidelines or to become one of those who resist.

Alex, an experienced surgeon, makes a mistake in the diagnosis of his seven-year-old godson. The boy dies on the operating table. Stunned, the man tenders his resignation. One autumn morning he is sitting on the riverbank in a favourite place where he used to fish with his godson. Suddenly he notices the figure of a shapely semi-naked girl emerging from the fog. She is shivering with cold. Alex spontaneously offers his help, and thus becomes part of an incredible adventure story.

A historical drama dedicated to Ivan Franko's son Peter, who lived a life full of achievements and adventures.

Andriy and Alina, two guardian angels, arrive on Earth to bring two destined lovers together for a great purpose. But when they meet Roma and Yulia, the angels wonder: can true love be forced? And what happens when they decide to let it grow naturally?

What did Crimean Tatars go through when returning to Crimea after decades of exile in the late 1980s? The right to buy a house, get a residence permit without which they cannot be hired - these rights were ones that Crimean Tatars had to fight for through numerous protests, constant pressure, and negotiations with local officials. They faced blatant racism on a daily basis. The government-controlled media pummeled the population with propaganda. Yet pickets from Moscow to Taman and throughout Crimea, petitions, peaceful marches, self-immolation, and, finally, the self-return of land, which the authorities called "squatting", all this eventually worked. This film is the story of an entire people's return, a story of victory in opposition to the system and thanks to cohesion. However, many had to lose their home for the second time after the Russian occupation of the peninsula in 2014. Veterans of the Crimean Tatar movement as well as immigrants are the heroes of this movie.



The film tells about the tragic date in the history of the Crimean Tatar people — May 18, 1944 — Stalin’s deportation of the Crimean Tatars. The plot of the film — a pilot, twice Hero of the Soviet Union, Amet-khan Sultan. In May, 1944, a year after the liberation of Sevastopol, Amet-khan goes on vacation to his native town Alupka. On May 18 his eyes witness the beginning of the deportation of the Crimean Tatars.

Film tells an exciting story of a confrontation between talented boxer and criminal patrons of mixed fights MMA.

Having lost his oldest son in the war between Russia and Ukraine, Mustafa resolves to bring the boy’s body to the land of his birth: Crimea. Together, he and his younger son set out on a journey that will profoundly mark their relationship.

Two fellow athletes fall in love with the same girl. They try to get money for her treatment for cancer.

Nazi-occupied Crimea, 1944. A boy named Itzhak turns to Saide Arifova, a local Tatar Muslim woman, for help, explaining that he and a group of other Jewish orphans are hiding from the Nazis. Arifova faces a moral dilemma: should she try to help them or save herself by refusing? Despite the impending danger, she decides to protect the children by hiding them in plain sight, and disguising them as Tatars and adopting them into the local community.

Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

Based on Mykhailo Kotsyubynsky's "Crimean Stories": "In the Shackles of Satan", "On the Stone" and "Under the Minarets".