Gennady Karyuk

A cinematographer is a person who is most often not particularly visible, but what he is doing is always visible. The Director of Photography is a rare opportunity to talk to filmmakers about filmmakers. This is not a conversation about their life, but about the profession that is the meaning of their life, an attempt, through their personal statements, to form an understanding of what is the modern concept of camera art, what is the literacy of the craft and what is the real content of camera work in practical concepts and categories. This is a mention of several main names in the profession of cinematographer, who today are associated with the most important events in national and world cinema.

The film "Mama" is one of Gennadiy Karyuk’s first directorial works. It tells the story of two women who meet while on vacation. One lost her daughter long ago; the other bears a striking resemblance to her. Is it a mirage, a mistake, or fate? The director tells the story not through dialogue, but by prioritizing visual imagery and editing.

A new worker appears at the construction site—the lively and principled Shura Rusakova. Her open dissatisfaction and intolerance for disorder at the construction site elicit understanding and sympathy from the foreman.

Alexei hadn’t seen his father since he divorced his mother. Before enrolling in the literary institute, the son decided to visit his father—and regretted the time he’d lost. At the time, his father flatly refused to understand him. Disheartened, Alexei left and didn’t enroll in the institute until his fourth year. Before starting his studies, the son came to visit his father again...