Sara Kathryn Arledge

The film is set to the music of Franz Schubert and is very strange. Much of it consists of disembodies arms and legs all moving about to the music. There are also folks in body suits moving rhythmically to the tune. Occasionally, there are shots of a guy in full color with multiple exposures.

A short film comprised of seventeen stable images in black, sepia, and white light.

BAMPFA presents a selection of digital copies of hand-painted glass transparencies she made while teaching at California College of Arts and Crafts. Curator Terry Cannon described them as “akin to viewing a shimmering stained-glass window.” As they were difficult to present in public venues, Arledge also documented them in several of her films, including Interior Garden II.

"Imagery and dialogue stimulated by Finnegan's Wake. It is a satire with undertones of the cosmic spirit." - Sara Kathryn Arledge

BAMPFA presents a selection of digital copies of hand-painted glass transparencies she made while teaching at California College of Arts and Crafts. Curator Terry Cannon described them as “akin to viewing a shimmering stained-glass window.” As they were difficult to present in public venues, Arledge also documented them in several of her films, including Interior Garden II.

What Do Two Rights Make? (1983), Model releases from the papers of California artist and experimental filmmaker Sara Kathryn Arledge (1911-1998).

The film is set to the music of Franz Schubert and is very strange. Much of it consists of disembodies arms and legs all moving about to the music. There are also folks in body suits moving rhythmically to the tune. Occasionally, there are shots of a guy in full color with multiple exposures.

A short film comprised of seventeen stable images in black, sepia, and white light.

BAMPFA presents a selection of digital copies of hand-painted glass transparencies she made while teaching at California College of Arts and Crafts. Curator Terry Cannon described them as “akin to viewing a shimmering stained-glass window.” As they were difficult to present in public venues, Arledge also documented them in several of her films, including Interior Garden II.

"Imagery and dialogue stimulated by Finnegan's Wake. It is a satire with undertones of the cosmic spirit." - Sara Kathryn Arledge

BAMPFA presents a selection of digital copies of hand-painted glass transparencies she made while teaching at California College of Arts and Crafts. Curator Terry Cannon described them as “akin to viewing a shimmering stained-glass window.” As they were difficult to present in public venues, Arledge also documented them in several of her films, including Interior Garden II.

What Do Two Rights Make? (1983), Model releases from the papers of California artist and experimental filmmaker Sara Kathryn Arledge (1911-1998).

Nineteen images in black, sepia, and white light.