Franklin Lopez

The causes underlying the collapse of civilizations are usually traced to overuse of resources. As we write this, the world is reeling from economic chaos, peak oil, climate change, environmental degradation, and political turmoil. Every day, the headlines re-hash stories of scandal and betrayal of the public trust. We don't have to make outraged demands for the end of the current global system - it seems to be coming apart already. But acts of courage, compassion and altruism abound, even in the most damaged places. By documenting the resilience of the people hit hardest by war and repression, and the heroism of those coming forward to confront the crisis head-on, END:CIV illuminates a way out of this all-consuming madness and into a saner future. Backed by Jensen's narrative, the film calls on us to act as if we truly love this land. The film trips along at a brisk pace, using music... Written by Franklin Lopez

In this era of "reconciliation", Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist'ot'en Camp, Gidimt'en checkpoint, and the Wet'suwet'en Nation standing up to the Canadian government and corporations who continue colonial violence against indigenous people.

"On the upper left screen we watch a white bourgeois couple joylessly preparing for work: getting dressed, brushing their teeth, and eating breakfast. In the lower right corner we watch an interracial hipster couple—an Asian woman and white man—calling in sick and having sex. The alienation between the bourgeois couple is formally stressed by them being split into two frames while the interracial couple are framed together." (Quoted from Chris Robé's 'Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas,' pg. 363)

A short film about the joys of the five-finger discount.

A personal account of my short visit to Athens, Greece. My initial intent was to do a report on the anarchist neighbourhood assemblies. Truth be told this task was more challenging than I expected. Few within the neighbourhood assembly scene agreed to be video taped or photographed for fear of retaliation by the police, their employers and fascists. I was also made aware of the troubling hardships undocumented immigrants and their supporters face, the rise of the neo-nazi party Golden Dawn, and the role of the police in suppressing social struggles. This piece is only a snapshot of the complex situation of a country in a state of “civil war.” and how anarchists are reacting to it.

The causes underlying the collapse of civilizations are usually traced to overuse of resources. As we write this, the world is reeling from economic chaos, peak oil, climate change, environmental degradation, and political turmoil. Every day, the headlines re-hash stories of scandal and betrayal of the public trust. We don't have to make outraged demands for the end of the current global system - it seems to be coming apart already. But acts of courage, compassion and altruism abound, even in the most damaged places. By documenting the resilience of the people hit hardest by war and repression, and the heroism of those coming forward to confront the crisis head-on, END:CIV illuminates a way out of this all-consuming madness and into a saner future. Backed by Jensen's narrative, the film calls on us to act as if we truly love this land. The film trips along at a brisk pace, using music... Written by Franklin Lopez

The causes underlying the collapse of civilizations are usually traced to overuse of resources. As we write this, the world is reeling from economic chaos, peak oil, climate change, environmental degradation, and political turmoil. Every day, the headlines re-hash stories of scandal and betrayal of the public trust. We don't have to make outraged demands for the end of the current global system - it seems to be coming apart already. But acts of courage, compassion and altruism abound, even in the most damaged places. By documenting the resilience of the people hit hardest by war and repression, and the heroism of those coming forward to confront the crisis head-on, END:CIV illuminates a way out of this all-consuming madness and into a saner future. Backed by Jensen's narrative, the film calls on us to act as if we truly love this land. The film trips along at a brisk pace, using music... Written by Franklin Lopez

In this era of "reconciliation", Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist'ot'en Camp, Gidimt'en checkpoint, and the Wet'suwet'en Nation standing up to the Canadian government and corporations who continue colonial violence against indigenous people.

"On the upper left screen we watch a white bourgeois couple joylessly preparing for work: getting dressed, brushing their teeth, and eating breakfast. In the lower right corner we watch an interracial hipster couple—an Asian woman and white man—calling in sick and having sex. The alienation between the bourgeois couple is formally stressed by them being split into two frames while the interracial couple are framed together." (Quoted from Chris Robé's 'Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas,' pg. 363)

A short film about the joys of the five-finger discount.

A short film about the joys of the five-finger discount.

A short film about the joys of the five-finger discount.

A personal account of my short visit to Athens, Greece. My initial intent was to do a report on the anarchist neighbourhood assemblies. Truth be told this task was more challenging than I expected. Few within the neighbourhood assembly scene agreed to be video taped or photographed for fear of retaliation by the police, their employers and fascists. I was also made aware of the troubling hardships undocumented immigrants and their supporters face, the rise of the neo-nazi party Golden Dawn, and the role of the police in suppressing social struggles. This piece is only a snapshot of the complex situation of a country in a state of “civil war.” and how anarchists are reacting to it.

A personal account of my short visit to Athens, Greece. My initial intent was to do a report on the anarchist neighbourhood assemblies. Truth be told this task was more challenging than I expected. Few within the neighbourhood assembly scene agreed to be video taped or photographed for fear of retaliation by the police, their employers and fascists. I was also made aware of the troubling hardships undocumented immigrants and their supporters face, the rise of the neo-nazi party Golden Dawn, and the role of the police in suppressing social struggles. This piece is only a snapshot of the complex situation of a country in a state of “civil war.” and how anarchists are reacting to it.