Madlen Dzhabrailova

In a nostalgic Moscow of 1976, an unlucky actor meets a charismatic writer, a living classic of Soviet literature, who turns his life into a tragicomic farce with the artistic bohemia, foreign-currency prostitutes, the KGB staff and agents of the CIA.

Slava is a girl who is used to living with emotions, her actions are impulsive and unpredictable. On New Year's Eve, she makes a wish that her husband Valya will become a cool startup in Silicon Valley, and she is "just" a superwoman who will save the world. But time passes, and the miracle does not happen, and Slava, having collected things, leaves her husband. However, the wish made becomes fatal: everything starts to work out for Valya, and Slava continues to live with the expectation that the world will revolve around her.

Deprived of their familiar context, the heroes of ancient Greek myths find themselves in a Moscow park.

For the whole day Olga tries to constrain the inner drama the is tearing her apart. When she can no longer manage to keep it inside, she opens up to the first person she meets.

The film covers the heroic defence of the Brest Fortress, which was attacked during the first strike of German invaders on June 22 1941. The story describes the events of the first days of the defence, including the three main resistance zones, headed by the regiment commander, Pyotr Mikhailovich Gavrilov, the commissar Efim Moiseevich Fomin and the head of the 9th frontier outpost, Andrey Mitrofanovich Kizhevatov. Many years later veteran Alexander Akimov again recalls the memories of the time, when he, then a 15 year old Sasha Akimov was deeply in love with the beautiful Anya and suddenly found himself in the middle of the bloody events of war.

This is the story of two lonely and somewhat similar humans, although one young and one old. First is a thief loser who breaks into the dark and, as he thinks, abandoned apartment on New Year's Eve. And the second one exactly at this time tries to hung himself because of his feelings of loneliness and uselessness.

An inquiry into the nature of identity, the inevitability of death, and the human condition in the twenty-first century.

No one can know what awaits you when you leave for the country with a four-legged friend...

Based on the Russian classic novel. While maintaining all the main plot-lines of the novel, it follows the events not as they happen but as they are reflected in the mind of the dying hero. Thus make a chain of recollections about the life he had lived through, now seen as a series of irrevocable mistakes and interpreted anew: it is either reconsideration or repentance. Recollections make main hero torment himself over his own past pretenses that seem ridicules now agonize and despair over his perfect indifference to everything except himself, see the horrible aspect of killing his friend, a greenhorn and a show-off. The final action of an intelligent and outstanding man is judging oneself without mercy.

A year after the loss of her mother's son comes the news: her son is in Ingushetia.

He's an unemployed guy who earns some money by giving lifts to strangers. She's a graphic designer who just got her first job. The film tracks their relationship - and the way it gradually melts away - throughout a year. A subtle, moving portrait of an immature love that breaks down easily.

Vladislav Lavrov is the owner of a powerful construction empire. He is lucky in everything – the business is booming, his beautiful wife is making a breakneck career on stage, and his beloved daughter is on television. But one day, his old friend Sasha Frolov appears in Lavrov's house. He is poor, terminally ill, and everyone calls him Sasha the Saxophone for his virtuoso playing of the instrument. This man completely destroys Lavrov's stable and orderly life in one day. "Solo on the Saxophone" will reveal to us the secrets of this family and this friendship one by one, as well as the main secret that binds former friends, now a criminal and a construction magnate.

New Year's adventure of a little Christmas tree girl.

Today’s twenty-something Russians are the first generation in the country’s post-communist history to have grown up free. Their twenties are the age of freedom, of fast-changing events and intense emotions. Perhaps only at this age they can live a whole life in one day. A young girl and her two accident companions walk halfway around St.-Petersburg; they flirt and tease each other, and for ninety minutes they act out a real-time romantic drama. This stroll is full of laughter and tears against a backdrop of the hustle and bustle of the streets.

The play is a compositional study based on a story by Boris Vakhtin. The desire to introduce the audience to the poetic world of Vakhtin's prose and to find an atmosphere reminiscent of the author led the creators to use the form of studies, stage sketches that are extremely conventional and open to the audience's perception. The search for intonation and the fine line between conventionality and authenticity of experience were central to this work.

A television adaptation of the Pyotr Fomenko Workshop Theatre's production of A.N. Ostrovsky's play. Recorded in 2004. The plot revolves around a promissory note scam and an attempt to woo a wealthier husband. This production, while respectful of the classic, reveals new facets of the play—Chekhov's impressionism, the poetry of a vanishing world, and the Russian estate.

They saw each other only once. At a wedding with lots of alcohol. Their eyes met and that was it. They didn't understand rationally what happened to them but they felt that they cannot keep living and breathing without each other. Cosmic magnetism with irresistible intensity pulled them together. They no longer belonged to themselves, their families and friends and that's how a tragedy evolves.

A new version of Marshak's fairy tale about a mouse who didn't want to go to bed.

A funny and sad story about a pack of stray dogs. Based on Sergiyenko's novella "Goodbye, Ravine".

After a failed marriage, Masha retreats to the sanctuary of her humble profession as a translator of serious literature. Financial difficulties force her to accept an offer to interpret during a seminar held by an English puppeteer.

A rich and fatally ill man with an apartment, a car and a summer house offers her a girl's hand, heart and all real estate ". The next day after the announcement in the newspaper, a line of contenders lined up for Andrei. They all want to prove that they are in love with him .

During an anniversary dinner, an undertaker is offended when someone jokingly offers a toast to the health of his customers. He claims that he will hold a house-warming party with his customers instead of his neighbors, only to find out later that his invitation has been accepted.