John Martin

Young Robin Hood, in love with Maid Marian, enters an archery contest with his father at the King's palace. On the way home his father is murdered by henchmen of Prince John. Robin takes up the life of an outlaw, gathering together his band of merry men with him in Sherwood Forest, to avenge his father's death and to help the people of the land that Prince John are over taxing.

Made in 1941, this stirring Ministry of Information dramatisation tells the story of a Crusader tank crew trapped behind enemy lines in the Desert. With no intercom, a wounded crewman and little fuel, they must fight their way through an Italian column to freedom.

Agnes "Astra" Huston, a fortune teller at a run-down fair, is found strangled in her bedroom. As the police question five suspects, their interactions with her are shown in flashbacks from their point of view.

An elderly spinster plans a perfect robbery in Soho.

A man's sanity is a point of contention as he confesses to murdering an elderly man, driven by the victim's pale blue 'vulture eye', culminating in guilt-induced auditory hallucinations of the victim's beating heart.

The wife of a rubber plantation owner must put her marriage problems on hold when her family is forced to defend themselves during a native uprising.

People are disappearing in the wastelands. An occult researcher discovers that a devil-worshipping cult is responsible. Her inquiries lead her into great danger. Who can she trust?

Based on a true story, this film tells of an expedition into the Amazon jungle to find an archaeologist who had vanished three years previously. They run into a tribe of warlike headhunters, who are determined to add the expedition members' heads to their collection (in the real story, the archaeologist was found to have been murdered by a tribe of Brazilian headhunters).

Schoolteacher Bradley Wells is wrongly accused of murdering a girl pupil, and is nearly lynched by angry townspeople.

This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.