Yoshihiro Igarashi

Midori Satsuki stars as a serial seducer who destroys one man’s life after another. Finally she seduces a professional killer, with disastrous consequences.

Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.

When her crime boss husband is sent to prison, a woman assumes control of one of the most powerful gangs in Japan.

A woman on the run is raped, rescued, then raped again. Escaping, she heads for the hills and finds safe haven at a convent. After becoming a postulant (trainee nun), she catches her fellow sisters engaging in lesbianism, fighting over nothing, hurling snakes at each other, and engaging in mild flesh eating.

As Japan gears up for the 1964 Olympic Games, the cops start to crack down on the gangs, under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima.

Shozo Hirono has managed to separate from the Yamamori family and create his own small family, and extend his circle of acquaintances. These new friendships include a powerful underboss of the Muraoka family, Noboru Uchimoto.

Film with Junko Miyazono.

This is a film about a real person. Sanada Yukimura fought a war against Tokugawa Ieyasu.

Bored Hatamoto film

In Osaka during the Edo period, ruler Sanada Yukimura was in losing position, fearing Toyotomi's blood descendents would end, he impregnates one of five Shinano female ninja with the seed of Toyotomi Hideyoshi in hopes of continuing the bloodline. Princess Sen and the five female ninja escape from Osaka castle by blending in with the handmaidens. Lord Tokugawa Ieyasu who was supposed to rule all under the heavens was informed of this secret. So Ieyasu orders five samurai of the Iga Ninja clan (brought by Hattori Hanzo) to stop the Toyotomi bloodline by killing the Kunoichi ninja. An attack of ninja magic arts unfolds in a battle of the sexes.

Kiba Okaminosuke finds himself entangled with a group of prisoners being transported to their executions, one of whom oddly looks exactly like his dead father. There are crooked gold miners, a beautiful girl who is unfortunately a complete lunatic and a dojo master who is obsessed with killing Kiba just to prove that his school's sword style is the best.

When Honjo is selected as Kansai district's chairman, Iwasa of the rival gang asks Itsuki to do everything possible to have Honjo step down, which puts Itsuki between a rock and a hard place.

Chiba, looking gnarly, and acting as animalistic as ever, stars alongside Matsukata as violent gangsters battling their way through fight after bloody fight with rival yakuza on the streets of Okinawa.

Kiku Nakakawa, the only daughter of an old kimono shop owner in Kyoto, is enthusiastic about karate. To help her friend Michi avenge her brother, she sneaks into a movie studio in Kyoto where a drug dealing syndicate is based.

A local yakuza boss of a silk farming town shows kindness to the wandering gambler Oryu by letting her stay at his residence. When a rival yakuza gang, who wants to take over the town’s businesses, murders him, Oryu is obliged to protect his children and business.

The feud between two rival delivery companies, Kibamasa and Okiyama, heats up as the head of Kibamasa falls ill.

Japan nineteenth century. High demand for tattooed geisha generates an entire industry for their "production". Europeans pay more for tattooed beauties. Against this background, and considering the gorgeous tattooed women develop the history of confrontation between two highly skilled masters of tattoo.

This story is based on the novel "Jo no mai" by Tomiko Miyao which is based on the life of painter Shōen Uemura (1875–1949), the first woman to be awarded the Order of Culture. The title refers to the masterpiece bijinga ("picture of a beautiful woman") that Uemura painted at the age of 61. The main character, Tsuya Shimamura, is born in Kyoto as the second daughter of a tea trader who dies before her birth. Tsuya, who loves painting more than anything and is hopeless at housework, attends art school and at age 15 receives the name Shōsui (from the characters for "pine" and "green") from her teacher. The crown prince of England purchases one of her works, propelling her to fame overnight. The novel portrays the remainder of her stormy life, during which she is impregnated by her teacher and raises a fatherless child; through it all she devotes herself to her painting, undaunted.

Oryu the Red Peony, a wandering female yakuza on a soul-searching journey after the death of her father. After collecting her sickly follower from jail, she is taken in by a fishing village. Feeling indebted to their generosity, she stays to work for the village and promises to leave her yakuza ways behind. When a dispute breaks out for the gambling rights to a local festival, the villagers are harassed by a gang of thugs. When the harassment turns violent, Oryu must decide wither to keep her promise or protect the villagers.

The lord of the Oshi fief is killed by his trespassing neighbour, the cruel and despotic Nariatsu, son of the former Shogun. After an investigation, the Oshi clan is blamed for what happened and sentenced to be disbanded. Eleven of the best samurai of the clan refuse the sentence and are willing to give their life for justice.

A Yakuza group from Osaka with dreams of national dominance moves into the snowy Hokuriku region, sparking a bloody turf war with local gangs.

Reconstruction, in the form of episodes, of the most bizarre crimes that occurred in Japan after World War II.

Shino, a resilient young woman sold into prostitution must navigate the gritty realities of the red-light district to survive. Within the confines of her small 4½-mat room, she encounters a variety of men, using her wit and body to endure a system designed to exploit her.

Three stories revolve around independence, a man searching for his wife, and a poor craftsman trying to make money.