Aurelio Grimaldi

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.

This is the story of a Sicilian woman that tries to have avidly as many sexual adventures as possible. She uses different identities and personalities, but she can't stop collecting adventures. One day she meets Valerio, a young student who falls in love with her.

This is the story of a Sicilian woman that tries to have avidly as many sexual adventures as possible. She uses different identities and personalities, but she can't stop collecting adventures. One day she meets Valerio, a young student who falls in love with her.

A successful erotic film producer from Rome regularly receives letters from female fans seeking his advice on how to spice up their sex lives. Thanks to his years of experience in both the film business and the sex industry, he has all sorts of tips at the ready and, in an emergency, is happy to make a house call himself to demonstrate his qualities in person.

Alina is a brilliant and enterprising woman who runs a successful art gallery in Palermo. Her husband Daniele, a successful orchestra conductor, cultured and intelligent, is not a regular presence. One day, while accompanying Daniele to the airport, Alina feels a sense of emptiness. She will try to fill it with a butcher who is always joking and full of erotic allusions and who arouses a strong attraction in her.

Alina is a brilliant and enterprising woman who runs a successful art gallery in Palermo. Her husband Daniele, a successful orchestra conductor, cultured and intelligent, is not a regular presence. One day, while accompanying Daniele to the airport, Alina feels a sense of emptiness. She will try to fill it with a butcher who is always joking and full of erotic allusions and who arouses a strong attraction in her.

Alina is a brilliant and enterprising woman who runs a successful art gallery in Palermo. Her husband Daniele, a successful orchestra conductor, cultured and intelligent, is not a regular presence. One day, while accompanying Daniele to the airport, Alina feels a sense of emptiness. She will try to fill it with a butcher who is always joking and full of erotic allusions and who arouses a strong attraction in her.

January 6, 1980. President of the Sicily Piersanti Mattarella is going to Mass with his family when a young man approaches his car and shoots him in cold blood, killing him. The young Deputy Prosecutor on duty that day is Pietro Grasso, future General Anti-Mafia Prosecutor and President of the Italian Senate. His investigations are continued by Giovanni Falcone, who uncovers dangerous connections between the Mafia, the ruling Christian Democratic Party, neo-fascist terrorists, and secret services.

January 6, 1980. President of the Sicily Piersanti Mattarella is going to Mass with his family when a young man approaches his car and shoots him in cold blood, killing him. The young Deputy Prosecutor on duty that day is Pietro Grasso, future General Anti-Mafia Prosecutor and President of the Italian Senate. His investigations are continued by Giovanni Falcone, who uncovers dangerous connections between the Mafia, the ruling Christian Democratic Party, neo-fascist terrorists, and secret services.

January 6, 1980. President of the Sicily Piersanti Mattarella is going to Mass with his family when a young man approaches his car and shoots him in cold blood, killing him. The young Deputy Prosecutor on duty that day is Pietro Grasso, future General Anti-Mafia Prosecutor and President of the Italian Senate. His investigations are continued by Giovanni Falcone, who uncovers dangerous connections between the Mafia, the ruling Christian Democratic Party, neo-fascist terrorists, and secret services.

Enza is a beautiful and lively Sicilian teenager who is starting out in life, but due to her naivety, she always ends up getting into trouble. She has no parents, but lives with her aunt and uncle together with her older sister who acts as her mother and tries to put her on the right path, even ending up in prison for some time. Enza, keeping faith with her rebellious nature, falls in love with Sebastiano, with whom she has her first sexual relations, but for him she also goes as far as stealing. All men are the same.

Enza is a beautiful and lively Sicilian teenager who is starting out in life, but due to her naivety, she always ends up getting into trouble. She has no parents, but lives with her aunt and uncle together with her older sister who acts as her mother and tries to put her on the right path, even ending up in prison for some time. Enza, keeping faith with her rebellious nature, falls in love with Sebastiano, with whom she has her first sexual relations, but for him she also goes as far as stealing. All men are the same.

The clever and passionate Madame De Saint-Ange has taken into consideration the education of the young and illiterate Eugenie and at the same time wants to seduce Marquis Dolmance, a famous homosexual philosopher. In two days, with the help of her brother, the Cavalier de Mirvel and the young servant Augustin, Madame will bring the company to completion with more or less mischievous geniuses, put in place through a combination of sensuality, eroticism and feeling.

The clever and passionate Madame De Saint-Ange has taken into consideration the education of the young and illiterate Eugenie and at the same time wants to seduce Marquis Dolmance, a famous homosexual philosopher. In two days, with the help of her brother, the Cavalier de Mirvel and the young servant Augustin, Madame will bring the company to completion with more or less mischievous geniuses, put in place through a combination of sensuality, eroticism and feeling.

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Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

Francesco, a young man born without arms who has learned to live despite his disability, has access to good education thanks to material wealth and the love of his parents. But his sexual drive remains unfulfilled. Only his childhood friend Stefano will understand the frustration of his friend and help him.

Francesco, a young man born without arms who has learned to live despite his disability, has access to good education thanks to material wealth and the love of his parents. But his sexual drive remains unfulfilled. Only his childhood friend Stefano will understand the frustration of his friend and help him.

This film depicts three episodes in the life of the highly eccentric, unabashedly homosexual Italian filmmaker Per Paolo Pasolini. Pasolini was best known to Americans for his film The Gospel According to St. Matthew. However, in his native Italy, he was at least as well known for his writing and poetry as for his filmmaking. In the first episode, Pasolini (Marco Cavicchioli) waxes poetic about the beauty of young men during a visit to Sicily. The second and more interesting segment concerns a meeting with a young man who visits Pasolini thinking that though he is an old has-been, Pasolini may be able to do him a favor. Pasolini twigs to the boy's intentions, and a sparring session ensues. The final episode shows him picking up a young man at Rome's train station and the events that led to his beating death in 1975.

Orlanda, Liuccia, Milù, Blu Blu and Veronica are five women in Palermo, Sicily, each different from the other. But, along with transvestite Kim and young man Maurizio, they all share something: they're "buttane", hookers, who spend the day between the streets and home; some got children, some got problems with the pimps, some with the clients...

Orlanda, Liuccia, Milù, Blu Blu and Veronica are five women in Palermo, Sicily, each different from the other. But, along with transvestite Kim and young man Maurizio, they all share something: they're "buttane", hookers, who spend the day between the streets and home; some got children, some got problems with the pimps, some with the clients...

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Brazil 1839. Aninha Ribeira da Silva, called Anita, is a bubbly and passionate 18-year girl, who dreams to leave the small town where she lives. All of the girl's dreams, however, fade away when Manuel, an aged craftsman who lives nearby, asks her to marry him and her mother persuades her to accept so that she can help support her family. While Anita sheds hot tears for that forced marriage a young Italian seaman, who had been sentenced to death by the Genoa martial court, lands in Rio de Janeiro.

Brazil 1839. Aninha Ribeira da Silva, called Anita, is a bubbly and passionate 18-year girl, who dreams to leave the small town where she lives. All of the girl's dreams, however, fade away when Manuel, an aged craftsman who lives nearby, asks her to marry him and her mother persuades her to accept so that she can help support her family. While Anita sheds hot tears for that forced marriage a young Italian seaman, who had been sentenced to death by the Genoa martial court, lands in Rio de Janeiro.