Tristan Bera

"We have a named for fantasy realized: nightmare". Adapted from Leopold Von Sacher-Masoch's "Venus in furs".

Adaptation of Honoré de Balzac's "The Skin of Sorrow" or "The Wild Ass's Skin" (1831), said to be the last novel read by Sigmund Freud before his death. While reading it, he would have said: "This is the only book I needed".

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?

A nature-hating aesthete, Jean des Esseintes attempts to furnish and decorate a country home where he will be able to live without ever again having to deal with the outside world.

The ecologic crisis is a political, economic and social crisis. It is also cinematographic, as cinema coincides historically and in a critical and descriptive way with the development of the Anthropocene. A Film, Reclaimed is a conversation, an essay that reads the terrestrial crisis under the influence and with the help of the beautiful and terrible films which have accompanied it.

Setting up as the prequel of two existing films of similar name, Belle de jour by Luis Buñuel, and Belle toujours by Manoel de Oliveira, the film is about the new story of Severine, the main character, with Paris as background. Two artists' ideas to recompose the original films make the beautiful and unique world in this movie. - 25 FPS

"We have a named for fantasy realized: nightmare". Adapted from Leopold Von Sacher-Masoch's "Venus in furs".

Adaptation of Honoré de Balzac's "The Skin of Sorrow" or "The Wild Ass's Skin" (1831), said to be the last novel read by Sigmund Freud before his death. While reading it, he would have said: "This is the only book I needed".

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?

A nature-hating aesthete, Jean des Esseintes attempts to furnish and decorate a country home where he will be able to live without ever again having to deal with the outside world.

The ecologic crisis is a political, economic and social crisis. It is also cinematographic, as cinema coincides historically and in a critical and descriptive way with the development of the Anthropocene. A Film, Reclaimed is a conversation, an essay that reads the terrestrial crisis under the influence and with the help of the beautiful and terrible films which have accompanied it.

The ecologic crisis is a political, economic and social crisis. It is also cinematographic, as cinema coincides historically and in a critical and descriptive way with the development of the Anthropocene. A Film, Reclaimed is a conversation, an essay that reads the terrestrial crisis under the influence and with the help of the beautiful and terrible films which have accompanied it.

Setting up as the prequel of two existing films of similar name, Belle de jour by Luis Buñuel, and Belle toujours by Manoel de Oliveira, the film is about the new story of Severine, the main character, with Paris as background. Two artists' ideas to recompose the original films make the beautiful and unique world in this movie. - 25 FPS

Setting up as the prequel of two existing films of similar name, Belle de jour by Luis Buñuel, and Belle toujours by Manoel de Oliveira, the film is about the new story of Severine, the main character, with Paris as background. Two artists' ideas to recompose the original films make the beautiful and unique world in this movie. - 25 FPS

A girl wanders like a flaneur in the center of Athens: a Constitution, a War Museum, a Town Hall. She wears sunglasses and black clothes. "Kills" a boy outside the Galaxy bar and describes, sitting on the balcony of an apartment in Exarchia, the way the Molotov bomb is operating - it is an incendiary and not an explosive mechanism, he says.

A girl wanders like a flaneur in the center of Athens: a Constitution, a War Museum, a Town Hall. She wears sunglasses and black clothes. "Kills" a boy outside the Galaxy bar and describes, sitting on the balcony of an apartment in Exarchia, the way the Molotov bomb is operating - it is an incendiary and not an explosive mechanism, he says.