Kazimierz Urbański

A swarm of locusts teases a herd of horses. A four-wheeled vehicle drives into the herd. It pulls behind its riders, the horses, and the insects. The gallop is more and more dynamic, gravediggers prepare coffins for crazy drivers.

Combined animation. Mozart's music illustrates the memories of a man looking at a reproduction of Bernini's sculpture "The Ecstasy of Saint Teresa" hanging on the wall.

An old beekeeper and a little boy look into a hive. A brown-yellow shape and a black ball of a motile swarm begin to move on the surface of the screen. Physical reality turns into abstract forms.

The film presents a juxtaposition of the author's photographs of Memling's triptych "The Last Judgment." It poses the problem of choosing good and evil. Images of atomic explosions, the rubble of a burned-out city and the mocking laughter of the devil.

Colorful spheres irregularly interpenetrating each other, creating new forms.

An animation with social commentary. Kazimierz Urbański uses symbolism and abbreviations to depict emerging conflicts between social classes. The whole work is realized in a form characteristic of the author, created through appropriate production processes directly on film stock.

A swarm of locusts teases a herd of horses. A four-wheeled vehicle drives into the herd. It pulls behind its riders, the horses, and the insects. The gallop is more and more dynamic, gravediggers prepare coffins for crazy drivers.

Combined animation. Mozart's music illustrates the memories of a man looking at a reproduction of Bernini's sculpture "The Ecstasy of Saint Teresa" hanging on the wall.

Combined animation. Mozart's music illustrates the memories of a man looking at a reproduction of Bernini's sculpture "The Ecstasy of Saint Teresa" hanging on the wall.

An old beekeeper and a little boy look into a hive. A brown-yellow shape and a black ball of a motile swarm begin to move on the surface of the screen. Physical reality turns into abstract forms.

The film presents a juxtaposition of the author's photographs of Memling's triptych "The Last Judgment." It poses the problem of choosing good and evil. Images of atomic explosions, the rubble of a burned-out city and the mocking laughter of the devil.

The film presents a juxtaposition of the author's photographs of Memling's triptych "The Last Judgment." It poses the problem of choosing good and evil. Images of atomic explosions, the rubble of a burned-out city and the mocking laughter of the devil.

Colorful spheres irregularly interpenetrating each other, creating new forms.

Colorful spheres irregularly interpenetrating each other, creating new forms.

An animation with social commentary. Kazimierz Urbański uses symbolism and abbreviations to depict emerging conflicts between social classes. The whole work is realized in a form characteristic of the author, created through appropriate production processes directly on film stock.

An animation with social commentary. Kazimierz Urbański uses symbolism and abbreviations to depict emerging conflicts between social classes. The whole work is realized in a form characteristic of the author, created through appropriate production processes directly on film stock.

Motorcycle race on a speedway track.

Motorcycle race on a speedway track.

The film is narrative-free. Both the sound effects and the images, accompanied by multilingual subtitles and changing like a kaleidoscope, evoke in the viewer's imagination a shooting range where the targets resemble human silhouettes. Lively folk melodies juxtaposed with the sounds of gunshots create a contrast and become a means of expression. The shooters' skills lead to the elimination of their opponents. The funfair comes to an end, traces are covered up, and the ground is leveled. From under layers of accumulated earth (history), the previously seen targets emerge to the surface. They take on the shape of human silhouettes and come to life with color. This image is accompanied by a musical memento—a wail full of regret. Both the image and the music that accompanies the film contain many symbols, so any attempt at an unambiguous interpretation would be a simplification of its reception.

The film is narrative-free. Both the sound effects and the images, accompanied by multilingual subtitles and changing like a kaleidoscope, evoke in the viewer's imagination a shooting range where the targets resemble human silhouettes. Lively folk melodies juxtaposed with the sounds of gunshots create a contrast and become a means of expression. The shooters' skills lead to the elimination of their opponents. The funfair comes to an end, traces are covered up, and the ground is leveled. From under layers of accumulated earth (history), the previously seen targets emerge to the surface. They take on the shape of human silhouettes and come to life with color. This image is accompanied by a musical memento—a wail full of regret. Both the image and the music that accompanies the film contain many symbols, so any attempt at an unambiguous interpretation would be a simplification of its reception.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

Stanislaw Ignacy Witkiewicz, better known as Witkacy, enivsages the future horrors of the Polish nation, as embodied by Stalin and Hitler, and the world collapsing into chaos.

Stanislaw Ignacy Witkiewicz, better known as Witkacy, enivsages the future horrors of the Polish nation, as embodied by Stalin and Hitler, and the world collapsing into chaos.

A beautifully animation in loose matter (colored salts) directly under the camera inspired by Camille Saint-Saëns' piece, 'Danse Macabre', animated by Aleksandra Korejwo and directed by Kazimierz Urbański.

A beautifully animation in loose matter (colored salts) directly under the camera inspired by Camille Saint-Saëns' piece, 'Danse Macabre', animated by Aleksandra Korejwo and directed by Kazimierz Urbański.

An experimental animation by Kazimierz Urbański about transportation. Combines various techniques: traditional cartoon film, cut-out, documentary photos, animation of objects, and effects caused directly on the tape.

An experimental stop-motion animation made with a piece of yarn.

Paper cutouts over images of mixed colorful liquids, creating hypnotizing swirls and aesthetic explosions, as well as combining original and futurological sounds. Starting with the relentless hunting of antelopes, the geometric cutouts show the constant struggle between the warring groups. We have been observing it since the primeval times, when the tools of the battles were arches and spears, through the times of the domination of swords, later replaced by firearms. The increasing automation and power of war machines, the emergence of tanks and aircraft, eventually the use of weapons of mass destruction lead to total annihilation

Paper cutouts over images of mixed colorful liquids, creating hypnotizing swirls and aesthetic explosions, as well as combining original and futurological sounds. Starting with the relentless hunting of antelopes, the geometric cutouts show the constant struggle between the warring groups. We have been observing it since the primeval times, when the tools of the battles were arches and spears, through the times of the domination of swords, later replaced by firearms. The increasing automation and power of war machines, the emergence of tanks and aircraft, eventually the use of weapons of mass destruction lead to total annihilation

An experimental stop-motion animation made with a piece of yarn.

A film miniature inspired by Fryderyk Chopin's "Nocturne in C minor." The images, rendered using a combination technique, depict a night sky dominated by an unreal, mysterious moon.

A film miniature inspired by Fryderyk Chopin's "Nocturne in C minor." The images, rendered using a combination technique, depict a night sky dominated by an unreal, mysterious moon.