Acting
Georgia Quental
Born — Died
1939-04-23 — 2022-11-19
Place of birth
Porto Alegre, Rio Grande do Sul, Brazil
Known for
Acting
Credits
19 titles
Known for
10.0No synopsis available yet.
O Homem Que Deve Morrer
1971
NRNo synopsis available yet.
Balança Mas Não Cai
1968
9.0No synopsis available yet.
Sétimo Sentido
1982
No synopsis available yet.
Na Idade do Lobo
1972
9.3No synopsis available yet.
O Bem-Amado
1980
5.0For three days at the Copacabana Palace in Rio de Janeiro, amorous cross-fertilizations are intertwined with petty tricks against the backdrop of the famous carnival festivities. Three (sympathetic) accomplices are beaten to a punch in the hotel vault; three charming stewardesses are looking for entertainment, but their three Carioca host, musicians Tom Jobim, Luiz Bonfá, and João Gilberto, are married; a man, separated from his wife, wants to catch her in the act of adultery.
Copacabana Palace
1962
Film credits
1970s · 6 titles
5.2Reg owns the store "Tem Tudo... E Muito Mais" (Has Everything... And Much More). To satisfy his customers, he is forced to perform the most strange functions.
Com as Calças na Mão
1975
No synopsis available yet.
Agência Lig-Pag
1974
9.0Otavio has to find and marry Madame Bettina's daughter if he wants to inherit her fortune.
A Filha de Madame Betina
1973
3.7Comedy in two segments. In the first, an important businessman becomes temporarily paralyzed after taking too much of a potent aphrodisiac. To take his place, his employee finds a mechanic who is a look-alike. In the second story, a businessman's woman pretends she is jealous in order to conceal her own unfaithfulness, as she is having an affair with her husband's closest employee.
Oh! Que Delícia de Patrão!
1974
Womanizing dentist takes his wife for a vacation in Petrópolis, Brazil. In their hotel, a woman dressed in white visits the room of a different man each night, causing trouble.
Uma Pantera em Minha Cama
1971
8.0No synopsis available yet.
Salário Mínimo
1970
1960s · 8 titles
5.0For three days at the Copacabana Palace in Rio de Janeiro, amorous cross-fertilizations are intertwined with petty tricks against the backdrop of the famous carnival festivities. Three (sympathetic) accomplices are beaten to a punch in the hotel vault; three charming stewardesses are looking for entertainment, but their three Carioca host, musicians Tom Jobim, Luiz Bonfá, and João Gilberto, are married; a man, separated from his wife, wants to catch her in the act of adultery.
Copacabana Palace
1962
7.0Paulo works as a journalist for a print publication and is a man of many women. He has a long-standing affair with a wealthy married woman and also begins a new relationship with Luísa, a young call girl who is his client.
Um Ramo Para Luísa
1965
6.3Paloma is a young blonde indigenous woman who arrives in a coastal town and goes to the local cantina to murder Danilo Zeta in cold blood. But the young woman is captured and, upon being tried in the public square of Puerto San José, she refuses to speak. In prison, after giving birth to a child, Judge Justo and her wife Amalia encourage her to tell them her past.
Paloma herida
1963
10.0Alfredo, a rich playboy and restless womanizer lives a happy life until receive threats from several cuckolds. Things get worse when each of the seven involved women accuse each other causing a big mess.
As Sete Faces de um Cafajeste
1968
8.0No synopsis available yet.
A Um Pulo da Morte
1968
5.2The Syndicate of Brazilian Thieves tries to steal the world's greatest diamond, owned by the international star Iraya, who comes to spend the carnival in Rio. Interpol kicks in.
Carnaval Barra Limpa
1967
6.8After a powerful outlaw dies, a reporter interviews his lover and gets three different stories about the legendary man.
Golden Mouth
1963
3.5When a dying man receives a kiss from a bereaved man who tries to save him, the man is jailed as a homosexual. He is released from jail, but his life has been ruined by the incident -- and the man eventually is killed by his own father-in-law. The kiss that resulted in the eventual persecution and death of the man is never shown in this plodding, downbeat drama.
The Kiss
1965
