Ivana Mladenović

During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.

It's based on the story of a crisis that took place in the summer of 2017 in the life of Mladenovic, a Serbian-born director living in Romania.

Two sisters meet after a few years of being apart. The past becomes the only thing that binds them now.

36-year-old Stela has higher education but unable to keep a job. Since she was 12, she's been in love with a Serbian musician from the former Yugoslavia. One of the musician's alleged mistresses promises Stela that she will help her meet her idol.

36-year-old Stela has higher education but unable to keep a job. Since she was 12, she's been in love with a Serbian musician from the former Yugoslavia. One of the musician's alleged mistresses promises Stela that she will help her meet her idol.

36-year-old Stela has higher education but unable to keep a job. Since she was 12, she's been in love with a Serbian musician from the former Yugoslavia. One of the musician's alleged mistresses promises Stela that she will help her meet her idol.

Adi (40), a shy and introverted anthropologist who got recently dumped by his girlfriend, moves to Ferentari, most notorious outcasted neighborhood in Bucharest. He wants to write a study on manele music. The pop music of the Roma community serves as a way out for some, but mostly as one more means for the mafia pimps to make money off their acts and keep them in slave-like dependency. While researching his subject, Adi meets Alberto, a Roma ex-convict and a bear of a man, who promises Adi to help him. Soon, the unlikely pair begins a playful romance in which Adi feeds Alberto with improbable plans of escaping poverty and Alberto reciprocates with well-concocted phrases of love. Little by little their casual affair grows into love. And the funny and sweet teasing turns into something precarious, since Alberto is both dangerous and fragile and belongs to a world whose codes Adi doesn't understand.

Adi (40), a shy and introverted anthropologist who got recently dumped by his girlfriend, moves to Ferentari, most notorious outcasted neighborhood in Bucharest. He wants to write a study on manele music. The pop music of the Roma community serves as a way out for some, but mostly as one more means for the mafia pimps to make money off their acts and keep them in slave-like dependency. While researching his subject, Adi meets Alberto, a Roma ex-convict and a bear of a man, who promises Adi to help him. Soon, the unlikely pair begins a playful romance in which Adi feeds Alberto with improbable plans of escaping poverty and Alberto reciprocates with well-concocted phrases of love. Little by little their casual affair grows into love. And the funny and sweet teasing turns into something precarious, since Alberto is both dangerous and fragile and belongs to a world whose codes Adi doesn't understand.

After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.

After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.

It's based on the story of a crisis that took place in the summer of 2017 in the life of Mladenovic, a Serbian-born director living in Romania.

It's based on the story of a crisis that took place in the summer of 2017 in the life of Mladenovic, a Serbian-born director living in Romania.

The day Alex gets out of prison, he's greeted by his girlfriend and best friend. But things aren't the same as they were when he got there.

The day Alex gets out of prison, he's greeted by his girlfriend and best friend. But things aren't the same as they were when he got there.