Gurcius Gewdner

Inspired by 70s Horror movies and real crimes, Dead Human Collection is a bloodbath that follows a deranged Serial Killer and his sadistic habits.

When moving to a new town, Lucas makes a new friend who helps him forget his problems. But forgetting may not be the best way to deal with problems.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

Symbolicus is an experimental anthology project developed by extreme horror maestro Marcus Koch (100 Tears, AGP: Bloodshock). Assigned with nothing more than a symbol, filmmakers were granted full control and creativity to construct absolutely anything they wanted. Spanning over three volumes and consisting of works from 39 different filmmakers from around the world. Symbolicus defies the boundaries of traditional filmmaking, dismissing the concepts of genre or narrative. Delivering a cinematic experience like nothing you have seen before.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

A punk scientist formed the formula of the deadly drink that transforms drunks into hallucinated zombies and awakens the fury of Little Red Riding Hood's grandmother and her afternoon tea buddies, who armed and dangerous decide to get revenge.

Two missionaries travel through the forest searching for the last uncontacted tribe, at the mythical city of Ragatanga. Lost and disoriented, they face supernatural threats that put their faith to the ultimate test.

A strange black spot approaches the coast, bringing death and destruction to a fishing village. In a desperate flight to escape the chaos, lonely Albino fights for the great love of his life at the risk of his own soul.

Couple making love in a park in Rio de Janeiro face perverts in search of sex.

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

A complex children's fable about world domination with homage to classic black and white horror films and monsters.

One summer morning, Mr Baiestorf forgets how to put on flip-flops, takes a deep breath, opens a beer and goes to the beach to spend a day full of love and great emotions.

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

Tropical SOV is a Brazilian anthology that brings together 23 independent filmmakers who bring to life 21 hilarious, strange and bizarre stories that could only happen in Brazil. From brains that produce cocaine to the incredible human videocassette, including the secrets of synthetic meat, baldness cures, castration of rapists, nihilistic fruits, magical sweets and the poop king of Evangelistão.

No synopsis available yet.

The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.

A girl is kidnapped by a drug dealer at the behest of a corrupt senator, who intends to hold a party in the presence of a demented priest and a doctor using the girl as fun.

I live in a hurry without knowing I'm always running from place to place

"3 Cortes" is a collection of three gore-filled shocking short films from three Brazilian filmmakers. The first story, "Sozinho", is about a man meeting up with a young woman he met earlier in the day. When he gets to her place, she has a special surprise in store for him. "Coleção de Humanos Mortos" is the second story, and in it a young man is plagued by his inner demons, pushing him to satisfy his desire to inflict pain on others. Finally, in "06 Tiros, 60ml" a man wakes up to find himself trapped inside a hospital with blood-soaked faceless monsters and must do what he can to escape, even if that means killing every monster or person he comes across.

Who is Gurcius Gewdner?

No synopsis available yet.

In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and find themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal monsters plot his demise. This stomachic confusion makes him an easy prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a place where the dissolution of all beings appears to be the only possibility of communion.

No synopsis available yet.

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

Symbolicus is an experimental anthology project developed by extreme horror maestro Marcus Koch (100 Tears, AGP: Bloodshock). Assigned with nothing more than a symbol, filmmakers were granted full control and creativity to construct absolutely anything they wanted. Spanning over three volumes and consisting of works from 39 different filmmakers from around the world. Symbolicus defies the boundaries of traditional filmmaking, dismissing the concepts of genre or narrative. Delivering a cinematic experience like nothing you have seen before.

Realized from the encounter of differences between the counselor governor from the indigenous reserve Sikuani El Merey-La Veradicta Margarita Rodriguez Weweli-Lukana and the urban-indigenous in a cultural recovery process, Juma Gitirana Tapuya Marruá. This video was an attempt of healing the colonial pain from those open wounds that hurt in us all, hum@n and non hum@n, nature from Abya Yala.

The exploratory voyages of man to Mars began in 1988. Most astronauts returned from space travel mad or with mystical delusions. As long as total secrecy was maintained, a select group of journalists spread across the planet were aware of these excursions, among them some journalists from the staff of O GLOBO. The astronauts reports are rare, but constant and delivered in two ways: audio reports and footage of the field trips, starring the brave Brazilian astronaut Erivaldo Mattüs. With the mysterious disappearance of our hero from Alagoas, the time has come for some of these reports to come to the attention of the public, through the infallible archives preserved by Gurcius Gewdner.

The exploratory voyages of man to Mars began in 1988. Most astronauts returned from space travel mad or with mystical delusions. As long as total secrecy was maintained, a select group of journalists spread across the planet were aware of these excursions, among them some journalists from the staff of O GLOBO. The astronauts reports are rare, but constant and delivered in two ways: audio reports and footage of the field trips, starring the brave Brazilian astronaut Erivaldo Mattüs. With the mysterious disappearance of our hero from Alagoas, the time has come for some of these reports to come to the attention of the public, through the infallible archives preserved by Gurcius Gewdner.

The exploratory voyages of man to Mars began in 1988. Most astronauts returned from space travel mad or with mystical delusions. As long as total secrecy was maintained, a select group of journalists spread across the planet were aware of these excursions, among them some journalists from the staff of O GLOBO. The astronauts reports are rare, but constant and delivered in two ways: audio reports and footage of the field trips, starring the brave Brazilian astronaut Erivaldo Mattüs. With the mysterious disappearance of our hero from Alagoas, the time has come for some of these reports to come to the attention of the public, through the infallible archives preserved by Gurcius Gewdner.

Couple making love in a park in Rio de Janeiro face perverts in search of sex.

Couple making love in a park in Rio de Janeiro face perverts in search of sex.

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

Carlos finds himself troubled by a powerful restlessness. At the same time his analyst is obsessed with the idea that he should delete Carlos in order to save his island. An island is, by excellence, a troubled territory. Piece of land separated off the mainland or territory emerging and arising from the center of the world shocks : re- integrate into the sea is the ghost that haunts all the islands. There is in this tense relationship between sea and island, an opposition between civilization and destruction, shape and inform, culture and chaos united in a loving and eschatological tribute to Carlos Reichenbach, Lucio Fulci and Andrzej Zulawski.

It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.

It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.

It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

No synopsis available yet.

No synopsis available yet.