Gurcius Gewdner

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

Symbolicus is an experimental anthology project developed by extreme horror maestro Marcus Koch (100 Tears, AGP: Bloodshock). Assigned with nothing more than a symbol, filmmakers were granted full control and creativity to construct absolutely anything they wanted. Spanning over three volumes and consisting of works from 39 different filmmakers from around the world. Symbolicus defies the boundaries of traditional filmmaking, dismissing the concepts of genre or narrative. Delivering a cinematic experience like nothing you have seen before.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

Series produced by Canal Brasil addressing independent cinema made by directors from the most diverse parts of the country, who make video and audio works with few resources, but equipped with a lot of creativity - in a film style that became known by the nickname of "trash".

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

Series produced by Canal Brasil addressing independent cinema made by directors from the most diverse parts of the country, who make video and audio works with few resources, but equipped with a lot of creativity - in a film style that became known by the nickname of "trash".

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

Symbolicus is an experimental anthology project developed by extreme horror maestro Marcus Koch (100 Tears, AGP: Bloodshock). Assigned with nothing more than a symbol, filmmakers were granted full control and creativity to construct absolutely anything they wanted. Spanning over three volumes and consisting of works from 39 different filmmakers from around the world. Symbolicus defies the boundaries of traditional filmmaking, dismissing the concepts of genre or narrative. Delivering a cinematic experience like nothing you have seen before.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: "You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down". Which film? This one!

Realized from the encounter of differences between the counselor governor from the indigenous reserve Sikuani El Merey-La Veradicta Margarita Rodriguez Weweli-Lukana and the urban-indigenous in a cultural recovery process, Juma Gitirana Tapuya Marruá. This video was an attempt of healing the colonial pain from those open wounds that hurt in us all, hum@n and non hum@n, nature from Abya Yala.

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

The exploratory voyages of man to Mars began in 1988. Most astronauts returned from space travel mad or with mystical delusions. As long as total secrecy was maintained, a select group of journalists spread across the planet were aware of these excursions, among them some journalists from the staff of O GLOBO. The astronauts reports are rare, but constant and delivered in two ways: audio reports and footage of the field trips, starring the brave Brazilian astronaut Erivaldo Mattüs. With the mysterious disappearance of our hero from Alagoas, the time has come for some of these reports to come to the attention of the public, through the infallible archives preserved by Gurcius Gewdner.

The exploratory voyages of man to Mars began in 1988. Most astronauts returned from space travel mad or with mystical delusions. As long as total secrecy was maintained, a select group of journalists spread across the planet were aware of these excursions, among them some journalists from the staff of O GLOBO. The astronauts reports are rare, but constant and delivered in two ways: audio reports and footage of the field trips, starring the brave Brazilian astronaut Erivaldo Mattüs. With the mysterious disappearance of our hero from Alagoas, the time has come for some of these reports to come to the attention of the public, through the infallible archives preserved by Gurcius Gewdner.

The exploratory voyages of man to Mars began in 1988. Most astronauts returned from space travel mad or with mystical delusions. As long as total secrecy was maintained, a select group of journalists spread across the planet were aware of these excursions, among them some journalists from the staff of O GLOBO. The astronauts reports are rare, but constant and delivered in two ways: audio reports and footage of the field trips, starring the brave Brazilian astronaut Erivaldo Mattüs. With the mysterious disappearance of our hero from Alagoas, the time has come for some of these reports to come to the attention of the public, through the infallible archives preserved by Gurcius Gewdner.

In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and find themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal monsters plot his demise. This stomachic confusion makes him an easy prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a place where the dissolution of all beings appears to be the only possibility of communion.

In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and find themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal monsters plot his demise. This stomachic confusion makes him an easy prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a place where the dissolution of all beings appears to be the only possibility of communion.

In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and find themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal monsters plot his demise. This stomachic confusion makes him an easy prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a place where the dissolution of all beings appears to be the only possibility of communion.

Marcus is not having a good day. He never seems to have a good day. He has to smash in his rear window just to get out of his Volkswagen Beetle, having parked it too close between two other cars. He has to do all the dirty work in the office, while his spoiled rich kid colleague cooks the books for profit and shamelessly flirts with all his female co-workers. He’s attracted to his next-door neighbor who gets beaten and cheated upon by her boyfriend, but she doesn’t want to leave him. And he gets robbed at knife-point right outside his apartment building. Marcus manages to take the knife and chase away his attacker, but not before he gets stabbed in the shoulder. The incident awakens something dark in Marcus. He becomes a man with a mission, determined to set right all the injustice done to him. But ones the blood starts flowing, there’s no going back.

I live in a hurry without knowing I'm always running from place to place

I live in a hurry without knowing I'm always running from place to place

It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.

It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.

It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.

This film is Ivan Cardoso's new incursion on pop and experimental cinema, making an hommage to old screenings at Cine AC, and reuniting restaured films and new works.

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Carlos finds himself troubled by a powerful restlessness. At the same time his analyst is obsessed with the idea that he should delete Carlos in order to save his island. An island is, by excellence, a troubled territory. Piece of land separated off the mainland or territory emerging and arising from the center of the world shocks : re- integrate into the sea is the ghost that haunts all the islands. There is in this tense relationship between sea and island, an opposition between civilization and destruction, shape and inform, culture and chaos united in a loving and eschatological tribute to Carlos Reichenbach, Lucio Fulci and Andrzej Zulawski.

A film about the urgency and brevity of life. Desire and delirium in the approach of the olimpium of death.

A film about the urgency and brevity of life. Desire and delirium in the approach of the olimpium of death.

A film about the urgency and brevity of life. Desire and delirium in the approach of the olimpium of death.

A girl is kidnapped by a drug dealer at the behest of a corrupt senator, who intends to hold a party in the presence of a demented priest and a doctor using the girl as fun.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.