Ryan Patch

A woman finds a VHS tape on her doorstep that shows a series of gruesome tales that could be real. But the true danger is the pumpkin-faced killer that's using the tape to find his next victim.

An overworked millennial clashes with her eccentric Abuelo when he hijacks her day hours before their flight to Havana.

A nostalgia-prone man finds himself transported to a world where seventh grade lasts forever.

"Every child has the right to be happy - by law." are the words of a future social worker, forcing a happy patch/micro doser on a girl, living isolated with her mom.

Alyssa (Lana Boy) follows her artistic aspirations to Los Angeles, leaving behind her husband Luka (Emmanuel Berthelot), who promises to join her later. The pandemic-induced lockdowns force them apart, straining their relationship until the couple decides it’s best to separate. Upon returning to Paris to finalize her divorce, Alyssa finds herself engulfed in her past life with Luka and old friends, all of which have moved on. She starts to question whether she was selfish to leave her past life behind in pursuit of career goals. Should she have been happy with the “little life” she left behind? Could she have been?

An audio-visual experience documenting what happens when Josh Garrels and Mason Jar Music go to an island to try to create something beautiful.

A woman finds a VHS tape on her doorstep that shows a series of gruesome tales that could be real. But the true danger is the pumpkin-faced killer that's using the tape to find his next victim.

A woman finds a VHS tape on her doorstep that shows a series of gruesome tales that could be real. But the true danger is the pumpkin-faced killer that's using the tape to find his next victim.

An overworked millennial clashes with her eccentric Abuelo when he hijacks her day hours before their flight to Havana.

A nostalgia-prone man finds himself transported to a world where seventh grade lasts forever.

"Every child has the right to be happy - by law." are the words of a future social worker, forcing a happy patch/micro doser on a girl, living isolated with her mom.

Alyssa (Lana Boy) follows her artistic aspirations to Los Angeles, leaving behind her husband Luka (Emmanuel Berthelot), who promises to join her later. The pandemic-induced lockdowns force them apart, straining their relationship until the couple decides it’s best to separate. Upon returning to Paris to finalize her divorce, Alyssa finds herself engulfed in her past life with Luka and old friends, all of which have moved on. She starts to question whether she was selfish to leave her past life behind in pursuit of career goals. Should she have been happy with the “little life” she left behind? Could she have been?

An audio-visual experience documenting what happens when Josh Garrels and Mason Jar Music go to an island to try to create something beautiful.

A father and son travel deep into the woods to make an offering to a mysterious force. When they realize a key element is missing, they must improvise before time runs out.

In Brazil, inmates of prisons and jails are almost exclusively poor, black, uneducated males - society's lowest. In locations that have never been filmed and with stories that have never been told, this documentary examines how five Brazilian inmates have coped with this profound social stigmatization as well as Rio's brutal justice system by joining prison-based, inmate-led Pentecostal Churches. The film spotlights five prisoner's personal stories and uses social science methods to investigate if this religion is simply an "escape" for the oppressive conditions, if it's an elaborate show for the guards and justice system, or if their faith and experience represent something more.

In Brazil, inmates of prisons and jails are almost exclusively poor, black, uneducated males - society's lowest. In locations that have never been filmed and with stories that have never been told, this documentary examines how five Brazilian inmates have coped with this profound social stigmatization as well as Rio's brutal justice system by joining prison-based, inmate-led Pentecostal Churches. The film spotlights five prisoner's personal stories and uses social science methods to investigate if this religion is simply an "escape" for the oppressive conditions, if it's an elaborate show for the guards and justice system, or if their faith and experience represent something more.