Simon Fisher-Becker

A woman finds herself in a strange, magical carnival with no memory of anything but her own name. Time seems to be of the essence, can she find her way back to reality or will she succumb to her fantasy?

‘Go Figure: More Than A Toy Story’ is a 50-minute documentary produced by Connor Allen, exploring the impact of the Character Options toy range on a generation of fans who grew up watching Doctor Who after the 2005 revival. While fans of the classic years had DAPOL & Denys Fisher to keep them happy, Millennial and Gen-Z viewers see the CO range as the gateway to their own nostalgia. Available only on a VAM alongside the hardback edition of 'Go Figure!', a visual archive of the CO figures, this documentary features reminiscences from numerous fans & Doctor Who contributors. Including, Katy Manning (Jo Grant), Simon Fisher-Becker (Dorium Maldovar), Gary Russell (Script Editor), Joseph Lidster (Writer), and Kieran Highman (Colourisation Artist).

Preternatural Research Bureau director Giles takes you on a journey into a world of supernatural wonders from haunted houses to cultist rituals.

After a devastating breakup with her former lover, Lucille becomes a recluse for a period of time and puts her efforts into her job and her daughter. It almost becomes a nightly routine where she will brush the hair of her young daughter for an hour, humming softly the lullaby, "Hush, Little Baby", while staring blankly at different trinkets and ornaments that adorn her duchess dressing table. To some, it would seem that Lucille had lost all sense of normality, and at times there is another part of her that likes to come out of the dark to try and create chaos in her otherwise, mundane existence. But, is her alter-ego real, or is it her own doubts that prevent her from finding happiness.

An adaptation of the successful stage musical based on Victor Hugo's classic novel set in 19th-century France. Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

It's 2067, the UK is vegan, but older generations are suffering the guilt of their carnivorous past. Simon Amstell asks us to forgive them for the horrors of what they swallowed.

Dorium meets three cloaked figures, informing them that his agents have procured the exact security software they have requested. Dorium has extracted it from the memory of a Judoon trooper, admitting he decided that it was quicker to take the whole brain. He gives them the brain in exchange for a bag of sentient money. Dorium doesn't understand why they are doing all this to imprison one child, and says he's heard rumours about whose child they've taken. He asks if they are mad and if they've heard the stories about the Doctor. Dorium warns them "God help us if you've made him angry".

Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.

A group of Millwall supporting hooligans travels to Spain for the 1982 World Cup Finals soon after the start of the Falklands War. One member of the gang is bent on avenging a personal loss.

Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.