Yasmin

Street singer Anil is humiliated and—with his mother—driven out of Bombay. He soon becomes an acclaimed performer but the enemies from his past plot to destroy his hard-earned career.

Shekhar is new to the block and it doesn't take long before the street noise and the children playing nearby push his tolerance to the limit. To the rescue comes Mili, who has the exact opposite disposition. While Shekhar may be at a loss over what to do with her at first, he eventually falls in love.

The city is rocked by a serial killer who only kills young women at night, so women don't want to step outside the house when it turns dark.

When Thakur Virendra Singh's wife firstborn child is still born, Janaki, who used to be a tawaif, gives up her newly born son to the grieving mother. The two families' fates get entangled yet again when Virendra Singh's second son falls in love with Janaki's daughter.

Raj is wealthy and a womanizer and his lifelong friend Goldie is a self made pop singer. Goldie tries to make Raj realize that women are not mere objects of desire, but with no results. Raj...

No synopsis available yet.

The Urdu film Bhabhi (1960) was directed by Syed Atta Ullah Shah Hashmi. Starring Shamim Ara and Aslam Pervaiz in leading roles

A Pakistani Urdu-language social film directed by Luqman, starring Shammi, Santosh, and Asha Poslay.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Murad (1957) is a lost Pakistani film not much is known about this film however we do know that it was a Musical Romance it had a hit song Ho chukka intezar sonay dey,Aey dil-e-beqarar sonay dey Sung by Iqbal Bano,written by Qateel Shifai and music by Safdar Hussain

A romance between a wealthy businessman and a poor coal collector turns sour.

No synopsis available yet.

Aas Paas is a 1957 movie directed by M. A. Rasheed

Suresh, a Hindu graduate, and Rafique, a Muslim mechanic, are close friends despite their different worlds. Suresh’s father refuses consent for his marriage to Rafique’s sister, but the bond between the two men survives. Later, unemployment drives them into hardship until they find work together, with Suresh managing Rafique’s business. Trouble brews when Rafique’s jealous brother-in-law sows suspicion, leading to quarrels and separation. Rafique, devoted to his young daughter, misjudges Suresh’s intentions, but a crisis ultimately reunites them, underscoring friendship, sacrifice, and Hindu-Muslim unity.