Hazal Şenel

The story of six-year-old Ayas' adventures, a journey through his apartment filled with relatives and his fun adventures on the streets of Istanbul. The film introduces the audience to Ayas' favorite friends, his cousins Mustafa and Özgür, as well as his mother, father, and entire family, inviting them to experience traditional street culture and games.

Masal has been in love with her boss's handsome son Akın for years, but Akın is unaware of her feelings. Akın starting to date Cansın, the company's most successful woman, is also a challenge for Masal.

The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.

Mert Turker, a young psychiatrist who has completed his medical education and expertise, is appointed to a hospital outside of a city in Anatolia. Mert Turker at an interesting point in terms of location, notices the various oddities of the patients, the patients and the working people. However, in the first days everything is going on in normal course.

Fed up with South America’s heat, the Maya, lured by rumors of golden soil, migrate to Anatolia, settling near Bağcılar and blending their advanced techniques with Turkish tribal culture. Their rapid rise, however, alarms Byzantium: peace-loving Emperor Klitor III is an avid Maya admirer, but his scheming wife, Empress Klitorya V, and his brother Muhteris conspire to eliminate Klitor, then abduct all Maya women to the imperial dungeons. Their twisted plan? By “improving” Byzantine lineage with Maya genetics while the men take local wives—“only God should know loneliness”—they intend to dilute the Maya’s flawless DNA into common stock.