Renata Pałys

When confronted by her most private desire at her grandmother's funeral, a young Polish-American woman struggles to navigate her truth and her familial pressure to conform.

Izabella, a beautiful young woman, works at her aunt’s shop in a small town in Poland. She uses her hands to create unique small objects for the shop, but in the night she has the strange habit to feed bats.

Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality.

Marta and Miłosz are trying to escape from the strange town in which they happened to live. The Bald One, who is in love with the girl, and her mother, not wanting to let that happen, implement their own plan.

Teenager pretends to be mentally ill to get away from a reformatory.

Well-known fencer Paweł Kaczmarek makes an important decision in his life – he decides to quit drinking. Unexpectedly, he receives information that his ex-wife is staying in Austria with his child. He immediately sets off for Austria, finds Anna's apartment, and kidnaps his own son.

Years later, Lena returns to Poland, accompanied by a French journalist, to learn the truth about her father.