Gaye Boralıoğlu

In the early days of the September 12 military coup, five-year-old Metin waits for his mother, singing to himself as he looks out the window. But his mother, Ayten, has been arrested and sent to prison. Since the child is alone at home, they take him to his mother in her cell, but despite all her jokes and games, Metin is aware of what is happening. The next day, Metin's grandfather Hüseyin Efe, who lives on Bozcaada, comes to take him, and Metin's days of freedom on the island begin. His friends exclude him because of the "communist" label his mother has been given. Yet Metin cannot even properly say the word "communist." Metin, affected by the exclusion, has another concern: his father’s photo is also on the “Wanted” posters hanging all over the island.

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.

One night, a law student wakes up from his sleep on a bus ride and strikes up a conversation with the bus driver.

In the early days of the September 12 military coup, five-year-old Metin waits for his mother, singing to himself as he looks out the window. But his mother, Ayten, has been arrested and sent to prison. Since the child is alone at home, they take him to his mother in her cell, but despite all her jokes and games, Metin is aware of what is happening. The next day, Metin's grandfather Hüseyin Efe, who lives on Bozcaada, comes to take him, and Metin's days of freedom on the island begin. His friends exclude him because of the "communist" label his mother has been given. Yet Metin cannot even properly say the word "communist." Metin, affected by the exclusion, has another concern: his father’s photo is also on the “Wanted” posters hanging all over the island.

One night, a law student wakes up from his sleep on a bus ride and strikes up a conversation with the bus driver.