Mala Sinha

2000 film directed by Sujit Guha.

A trio of cons, tired of small jobs, get together to con a rich, widowed woman, desperately seeking her long-lost grandchild and sole heir. The trio obtain jobs at her estate and set off their plan.

Radha ka Sangam is based on re-incarnation. Govinda (Govinda) and Radha (Juhi Chawla) love each other. They get married but after the marriage things do not go in their favor. A lot of tragic incidents happen in their lives. Govinda gets a jail sentence and Radha is also not well. When Govinda gets out of jail another tragedy strikes. Do they meet in their next birth? What happens next?

The lives of friends Namdev, Raghu, Damu and Jaggi take a turn for the worse when they win a lottery. Raghu and Damu murder Jaggi and frame Namdev who later returns to seek revenge.

A wealthy young man (Rajendra Kumar) is forced by his traditional parents to end his relationship with a girl of lower social standing (Mala Sinha). The heartbroken girl never reveals to her lover that she's pregnant with his child, whom she raises on her own. Years later, father and son (Rishi Kapoor) meet when the son finds a job working for a company that his father owns -- but will the two discover the truth about each other's identities?

Ram Kapoor comes from a poor family, while Kiran comes from a middle-class family. Ram and his brother, Shyam, commit petty thievery to sustain themselves. Ram meets Kiran and both fall in love and would like to get married. Kiran's dad is Police Inspector, Vijay Kumar, and does not approve of either Ram nor this marriage. Despite of this opposition, Kiran and Ram get married. After sometime, Kiran gets pregnant, and her mother, Madhu, comes to look after her. A gangster, Shakti, abducts both mother and daughter, and holds them for ransom. Vijay thinks that Ram and Shyam are behind this abduction so to get money from him, and launches a manhunt for them. Shyam is apprehended, while Ram is on the run. Ram must decide to hand himself over to the police, and let his wife and her mother be at the mercy of Shakti or continue to evade the police and search for Kiran and Madhu.

Kumar Anand, an honest police officer, gets into trouble after he accidentally kills a gangster at his ex-lover Mala's house.

Babu is a naive young man who likes to go out of his way to help people. He has fallen in love with Kammo, but in the process of helping another, he lands himself in jail for two years. After his discharge, he finds that a lady who had once helped him is now a destitute widow with a small child, Pinky.

During World War II, two army officers who are also brothers fall for the lady doctor and one of them proposes marriage to her. As war intensifies, both are sent on different secret mission and one of them is assumed to be dead.

Bollywood drama in which a woman stranded falls in love with the man who assists her. However, when they meet again, she notices something completely different about him.

An elderly couple retires without a penny and becomes dependent on their shockingly neglectful sons.

A rickshaw puller tries to save an innocent college girl from being trafficked by an evil man, who is protected by a corrupt lawyer. In the process of doing so, he stumbles upon several dark secrets.

Brash, outspoken, and aethiest Shanker lives in a small village with his son, Mohan, and his devout wife, Durga, who is expecting another child soon. One day Shanker decides to leave and takes Mohan with him, leaving a pregnant Durga alone. Years go by, both Mohan and Ajay have grown up. Mohan and Shanker operate a crime syndicate, partnering with Keshavlal, a notorious gangster. Ajay operates a publicatin called Karmayogi, in which he publishes news and information about crime and criminals, and does an expose on Keshavlal. Mohan and Shanker want a bigger stake in the share, which Keshav agrees to, but arranges for Shanker to get killed, and blames it on Ajay. When Shanker is killed, Mohan swears to avenge his father's death and begins the trek of locating and killing Ajay.

A woman accept a new job only to discover she is now the boss of the man she married in secret a few years ago.

Kabita, a middle-class working woman, looks after and tries to financially support her family. Soon, she sacrifices the love of her life for her widowed sister.

Social film dealing with the topics of child marriage and widow remarriage.

Three jailed convicts, Himmat, his brother Ajit, and Dilawar Khan break out of prison and take over the household of Editor Ashok Rai. The convicts will continue to hold the family hostage until their associate, Kamini contacts them in person.

Sapna, the daughter of a wealthy businessman likes Rajesh, a simple man. Her father wants her to marry Randhir, a notorious womanizer and drunkard. Will Sapna ever accept Randhir?

A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."

Although well qualified, Ram Chand is unable to obtain suitable employment, and works as a peon in an organization. One day he meets with Ravi Chand, who is on the verge of committing ...

A newly-wed woman is met with abuse in her new house

When a village girl is rejected by a modern suitor, a zamindar named Nikhilesh comes to her rescue and transforms her. However, with time, the two end up falling in love with each other. Will they be able to unite against their original plan?

Ravi, a fireman, falls in love with Roopa, a simple village girl. The couple is happy in their new relationship until Jagirdar, who also loves Roopa, tries to separate them.

Amita falls in love with a reporter who works for her publishing house. Complications arise when she discovers that her younger sister also loves him. An adaptation of President/Didi (1937)

The relationship between two childhood friends is tested as they grow up and discoveries are made. Mirza Yusuf Changezi has known Jahan Ara since childhood, and both have been good friends. After they grow up, things are not quite the same, as Jahan Ara's dad is none other than Emperor Shah Jahan, and men are not permitted to meet with the princess under any circumstance. But Jahan and Mirza do meet secretly and promise to marry each other.

The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.

The story of two families — one Muslim and one Hindu — living together in India under British rule.

A wealthy, pampered and illiterate woman faces many challenges after her marriage.

Kundan, a nomad, is offered a music deal when his songs are noticed by a pair of music directors. His lover, Rupa, convinces him to accept it but misunderstandings cause a rift in their relationship.

While defending his sister's honor, Shanker kills a man. His ashamed family say he is away in Africa, while he spends the next ten years in prison. What happens when the truth comes out, can he ever find forgiveness or acceptance?

Disillusioned with his wealthy friends, a man pretends to be poor and goes to live in the slums where he falls in love with a burglar's sister.

Shanker and Rita's marriage is finalized by their elders in their childhoods, however, after growing up, Shanker loves Shobna. Shanker is told to marry Rita instead, and he does so. The marriage is rocky as Rita does not pay attention to her husband and son. Then Shobna re-enters their life.

Two boys meet two girls and try to forge relationships... then things get complicated when the father of one of them dies, and his son is left with certain family obligations to attend to.

Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?

Maitighar follows Maya, a widow struggling to raise her son after her husband's death. Facing societal judgment and hardships, she battles to rebuild her life, highlighting themes of love, loss, and resilience in a conservative society.

Rajan, a wealthy Basantpur man, accidentally causes Shanti's vision loss with face afire. He becomes an eye surgeon, but his friend Ramdas is arrested and sentenced to prison.

Shortly after independence India faces terrorists attacks in Assam. A group of concerned citizens, who are not connected with the government, decide to do something to stop this carnage. Spy Sunil Mehra (Dharmendra) must travel to Beirut and foil the terror group.

Neela is a well educated girl who lives with her younger brother, sister and parents. Her father is addicted to gambling and alcohol and gets fired from his job due to misappropriation of some funds in his office which he commits for his gambling needs. Forced with circumstances, Neela decides to do a job as an air hostess in Indian Airlines. while on job she meets Aakash who works as a pilot in the same airline. After initial misunderstandings both fall in love with each other. Aakash proposes to Neela for marriage but Neela is concerned about her family as she is the only bread earner of her family and is responsible for education and other needs of her younger siblings. There is some more trouble as Neela's drunkard father does not like their relationship as Neela is his only source of money.

Meena, a young woman in love with a singer named Rajendra. But after her sister dies, Meena is forced to marry her sister’s husband, Ashok, to take care of the children. Though she tries to be a good wife and mother, Meena secretly continues her relationship with Rajendra. The story unfolds as she struggles between her duties at home and her forbidden love.

Sunil Mehra has successfully completed his medical studies and is now a qualified doctor, who can now practice medicine anywhere in India. He chooses to do so in a small and remote Himalayan village without any doctor or any medical facilities. His doctor fiancee, Neeta, decides to accompany him, but is appalled at the lack of facilities, and leaves. Dr. Mehra must now decide to continue his work there or re-locate.

Committed to taking care of her widowed mother and younger brother, Usha tells her sweetheart, an army officer, that she cannot marry him until her brother has grown up and can take care of himself.

Randhir has been an orphan, and lived all his younger life in an orphanage. When he grew up, he took to stealing as a career, and has been on the run from the police since then. One day he comes across a dead body, which resembles his face, and he assumes that person's identity, leaving the police to conclude that Randhir is dead. Randhir, now with a new identity finds out that his name is Kishore, who is wealthy beyond his imagination. He begans to live the easy life, and even has a pretty girlfriend, who he indeeds to marry. But then murphy's law steps in, and Randhir soon realises that he has landed himself in a soup, when the police come looking for Kishore, to charge him with murder.

A woman is presumed dead after being suspected of murder, leading to a new life but facing new complications.

Gyara Hazar Ladkian is a 1962 Indian Hindi-language romantic social drama film directed by K. A. Abbas. The film was co-produced by the poet Ali Sardar Jafri, who also helped co-write the story with Abbas. Produced under the Film Friends banner, it had music by N. Datta. The director of photography was Ramchandra

Shanta, a widow who wants to question the orthodox society, falls in love with Shekhar, a poet. In her quest to fight the system, Shanta's father-in-law, a retired judge, supports her.

Akhtar Hussain saves the life of Nawab Salim, and earns his gratitude. Salim invites Akhtar to come to his palatial home, and Akhtar does so. On the way, he meets beautiful Saltanat, and falls in love with her. On arrival at Salim's house, Akhtar is treated with utmost respect, provided employment, and a place to live. Akhtar meets with Saltanat and both plan to get married. Unknown to them, Salim also loves Saltanat, but Saltanat rejects his advances, and proposal, leaving his heartbroken. Soon Saltanat and Akhtar get married and settle down. Saltanat soon gives birth to a son. Salim is very affectionate with this child, and the child too grows to like Salim. Akhtar, meanwhile, has fallen in bad company, drinks alcohol, and romances a courtesan.

Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.

Parasar was very fond of music from his childhood. He wanted to learn music, but his grandfather Kunja was not so interested about his passion. Later Parasar forcefully went to music teacher and became a good singer. After few years, he went to Ramlochan Sharma in Calcutta to learn more music. Ratri was the only child of Ramlochan babu. She had a soft corner for Parasar. After completion of learning, Parasar started to teach Minati. She was child of a rich family and not so interested to learn music. Minati's family friend Pulak did not like Parasar. Day by day Parasar was becoming more popular in Minati's family and as a result, Pulak took Parasar for a musical show in outside Bengal. However, Pulak hated Parasar. Pulak made a conspiracy and put Parasar in such a place from where Parasar was unable to come back. After a lot of effort, Ratri found Parasar in a very poor condition. He was very ill.

Belonging to a family that has a grandfather addicted to alcohol, Mohan Khanna (Raj Kapoor) too is addicted to alcohol, compounded by the fact that he is enamoured with a woman, Miss Reeta (Nishi), who is using him to extort money and vengeance from his Judge father, Kundan Lal Khanna. The only person who is really interested in the welfare of Mohan, in a practical way, is an aged and recently hired servant of the family, who has just been released from prison for killing two people.

Jaya lives in a village called Chandangaon in India along with her widower dad, Gokul, who works for a living as a compounder, but calls himself a Homeopathic doctor and dispenses Arnica for all kinds of ailments, especially since there is no qualified doctor in the village. Since Jaya is or marriageable age, he has arranged her marriage with hard-of-hearing Shiv, the son of Dayashankar, who is the President of the Gram Panchayat. Dayashankar is anxious to get Shiv married so that he can get some dowry from Gokul. The other suitor for Jaya is Ratan, whose mother would like her to re-marry her son as his wife, Maya, is unable to conceive. Then a new doctor arrives in this village to look after the charitable dispensary. Things heat up when Dayashankar and Ratan's mom find out that he may be Jaya's new suitor. Hilarious chaos reigns when Maya assaults her cruel mother-in-law, and Ratan abducts Jaya from her marriage with Shiv.

Sunil Kumar and Geet decide to marry for love a decision which leads to many problems.

No synopsis available yet.

An artist leaves everything behind to go in search of fame and recognition, but the past continues to haunt him.

The story revolves around the last life crisis of Jamini Mohan and his wife. After his retirement, Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of a distant relative, became their mental hope. After facing various humiliations from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually, Gobinda became Santoshini's absolute refuge.

Kishore's dad is a miser, busy accumulating money by hook or by crook. He lives in a palatial house with his wife and Kishore. He would like Kishore to marry the only daughter of a very wealthy man, so that he gets a hefty dowry, as well as the vast property and assets when the woman's parents pass away. Kishore is exactly the opposite of his dad. He loves to squander his dad's hard-earned money, and has no use for it at all. He dislikes the rich woman his father wants him to marry, and runs away from home. He meets Mala and both fall in love with each other. Kishore wants Mala to marry him, but Mala will only marry when their respective families approve of them, so Kishore has to come up with a scheme to pull wool over his money-minded father - which he does - with hilarious results.

After Mahesh abandons Meena and their baby, she is compelled to desert the child to fend for himself. However, he gets adopted by a kind Muslim man and grows up to soon cross paths with his past.

A fair-minded emperor improves and introduces new laws, but ends up facing challenges when his son violates them.

Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?

Mere Lal (transl. My Son) is a 1966 Indian Hindi-language drama film directed by Satyen Bose and produced by Jyotsna Sen. It is a remake of the 1963 Bengali film Badshah, based on the story of Nihar Ranjan Gupta. The film stars Dev Kumar, Indrani Mukherjee and Mala Sinha. It focuses on a stone-hearted dacoit who, when thrust with the responsibility of bringing up a lost child he finds on a riverbank, mends his ways and becomes an honest wage-earner.

A loose Hindi adaptation oif the Shakespeare play.