Margit Makay

Fanny lives in the forest with her meteorologist mother. One day on her way across the forest to visit her grandmother and great grandmother, she has three encounters that will change her life forever: an apparently kind and gentle wolf, a city boy and an ornithologist who bears a striking resemblance to the father who long ago abandoned her and her mother.

Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

In 1930s Hungary, budding aristocrat Lőrinc Parcen Nagy undergoes a moral awakening. He abandons his privileged life to join the socialist underground, facing the harsh realities of class struggle and the approach of WWII.

A coming of age story about a young boy spending his summer vacation in the village.

A brothel in a small Hungarian town becomes the home of a medical student after his favorite working girls find out he's out of rent money. Trouble brews as they learn his mother is coming for a visit and they must transform the house.

On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.

Based on the novel of Mór Jókai. During the Hungarian independence war 1848-49 mother and her three sons trying to leave the road precisely designated by their conservative, stone-hearted father. The way-seeking and rivalry of brothers, Jókai's masterpiece, the cast, delightful scenes give an unforgettable experience.

Most of her colleagues take Mária, the new teacher to be a communist party-worker, only Irma and the drawing teacher Zoli treat her kindly. Mária starts working with great enthusiasm, and her class learns to love her in a short time.

Barta has been investigating for a year in the murder case of a professor of medicine. Keller, the victim, has been shot dead in his own villa. Barta joins the closest relatives and they all travel to Dunaszentmárton by ship for the inaugural ceremony of his tomb.

In 1963 in Tihany, somebody addresses the writer Gábor Náday. He is reminded of a night drive in 1944 that saved his life. Painful memories start coming to Náday.

On the novel by Mór Jókai. The first half of the XVIII century. Several decades of life of a noble family Karpati.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

In 1944, Feri Margittai escapes from the front, but his mother sends him away from home.

We have linguists, we have literary men, we have newspapers, actors, musicians, but we have no national opera!", lamented the champions of national revival in the middle of the last century. Hungarian music culture at home is limited to the performance of works by foreign composers. And the public demands Hungarian opera, and such a challenge is not easy to meet. So let's see who is up to the task!

Everybody knows that the captains of the hussars are a wild bunch. This was no different for Gábor Bagodi, who was famous far and wide for his revelry. No wonder his wife left him after a day of revelry. He packed up their little girl and left. Bagodi didn't mourn her much, he went on with his life. As fate would have it, he met a beautiful lady, Baroness Eva Lichtenstein...

Ágnes, Vass and Kriszt run a sanatorium for consumptives. Fifi, daughter of the institute owner is also here, mortally ill. Feri, the ski trainer relieves her with his courtship every now and then from her boredom and distress.

The story is about a woman who is waiting for the return from the war of her front-line soldier husband. Ilonka and her two children return from the village to their apartment in Budapest. Her husband is held captive by the Americans and awaits the first opportunity to return home, but he does not yet know that his fellow soldiers suspect him of complicity in crimes. In the meantime, Ilonka takes a job in a factory to make a living...

No synopsis available yet.

Set in Paris (which looks more like Budapest), the story concerns a murder investigation conducted by one Judge Henri Tessier. The audience is led to believe that Robert Petrovich, estranged husband of Tessier's sweetheart Marion, is responsible for the murder.

An older man wants to propose to a young woman. However, her family decides to form a plot so that she won't get engaged.

Faithful to his word, Michael Tímar, captain of the St. Barbara, becomes the guardian of Kondya, daughter of a Turkish aristocrat on the run. Later, he weds the grateful young Turkish girl whom he saved from the waters of the Danube. While skillfully managing his wife's fortune, entrepreneur Tímar becomes an important wholesaler of wheat and exports his products to Brazil. But his marriage of convenience proves a failure. He is torn between the demands of bourgeois civilization, governed by money, and the ideal of freedom, consisting of living simply within nature. He then takes refuge by the side of the sweet Noemi on an island on the Danube.