Michael Garvey

A strange disease kills off some of the richest and most influential people on the planet. First it was the billionaires, then the multi-millionaires and so on progressively... Then it threatens to strike anyone with any sort of fortune. With the whole world panicking, people try to flood the market with assets the world no longer wants.

The most dangerous former operative of the CIA is drawn out of hiding to uncover hidden truths about his past.

Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.

A look at Rick Baker’s various MIIB creatures including Serleena, Frank the Pug, Scrad / Charlie, Jeebs, The Worm Guys, Jarra, Jeff the Worm, and Alien Esoterica. Produced for the “Men in Black 2” DVD.

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

In a dark no-place evocative of Superman's own psychic 'Fortress of Solitude' the alienated Man of Steel recites those sections of Plath's writings that utilize the image of the bell jar. Superman directs these lines to Kandor, the bell jar city that represents his own traumatic past, for he is the only surviving member of a planet that has been destroyed. Kandor now sits, frozen in time, a perpetual reminder of his inability to escape that past, and his alienated relationship to his present world. For us, Kandor is an image of a time that never was — the utopian city of the future that never came to be.

During a sensitivity training held in Chicago, nine characters with varying degrees of aptitude and motivation rehearse symptoms of and methods for avoiding ambiguous labor (work outside one’s job description). The prevailing question for the characters is whether to ‘lean in’ or to resist through strategies of withdrawal, redaction, and retreat. The curriculum is complicated by scenes drawn from the 1954 film Salt of the Earth, a semi-fictional account of a strike at a New Mexico zinc mine wherein the status of the women’s domestic labor is viewed through the strike’s racial and economic urgencies. The group is drawn into this contestation by the film’s soundtrack and a woman attempting to escape becoming its protagonist. Ambiguous labor leaks between the nine characters as they confront the social instruments for the expression of complaint, anger, and suffering. Some learn to feign surprise and incompetence and to conspicuously demonstrate fatigue.