Gregory Doran

Journey into "Hamlet"-the play and the man-through the experiences of some of the major actors and directors who have brought Shakespeare's great tragedy to life. Christopher Plummer, David Tennant, John Nettles, John Simm, Sir Trevor Nunn, Franco Zeffirelli, Philip Saville, and others explore the enduring appeal of the Prince of Denmark more than 400 years after his stage debut.

Documentary celebrating the LGBTQ contribution to the arts in Britain in the 50 years since decriminalisation. It features interviews with leading figures from right across the arts in Britain, including Stephen Fry, David Hockney, Sir Antony Sher, Alan Cumming, Sandi Toksvig, Jeanette Winterson, Will Young and Alan Hollinghurst, and it explores the distinctive perspectives and voices that LGBT artists have brought to British cultural life.

From early rehearsals to the final performance, this in-depth exploration provides a behind-the-scenes look at how the RSC reimagined a Shakespearean classic for modern audiences. As Gregory Doran's directorial vision unfolds, traditional African dance is seamlessly integrated into Caesar's triumphant entrance and Mark Antony's funeral speech, while the set designers create a palpable atmosphere of dictatorship and unrest. Cyril Nri (Cassius) discusses how the cast draws on African leadership archetypes to infuse the narrative with cultural relevance, and Paterson Joseph (Brutus) reflects on his character's internal conflict, highlighting how it mirrors the difficult choices faced by contemporary revolutionaries. The documentary intersperses live performances with audience reactions, highlighting the powerful resonance of the adaptation.

The comedian takes a look back at the darker side of the royal family's 1000-year history, and wonders how generations of land-grabbing, child-murdering, wife-beheading, slave-trading, misogyny, violence and empire-building have shaped our royal family today.

Sue MacGregor talks to Antony Sher and Greg Doran about their stage work together and their shared passion for Shakespeare. Over the last two decades the actor and director have collaborated on ten shows including Macbeth, Henry IV pts 1 and 2 and Death of a Salesman. In 2016 Doran will direct Sher in King Lear for the RSC, the company Doran runs. This is a rare chance to be in the audience for an intimate insight into a professional and personal partnership that is probably unique in British theatre.

David Tennant stars in a film of the Royal Shakespeare Company's award-winning production of Shakespeare's great play. Director Gregory Doran's modern-dress production was hailed by the critics as thrilling, fast-moving and, in parts, very funny.

A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.

From the stage of the Royal Shakespeare Theatre, David Tennant, Catherine Tate and guests mark the life of William Shakespeare on the 400th anniversary of the playwright's death.

King Henry's health is failing as a second rebellion against his reign threatens to surface. Intent on securing his legacy, he is uncertain that his son Hal is a worthy heir, believing him more concerned with earthly pleasures than the responsibility of rule. Sir John Falstaff is sent to the country side to recruit fresh troops. Amongst the unwitting locals opportunities for embezzlement and profiteering prove impossible to resist - as the king's health continues to worsen, Hal must choose between duty, and loyalty to an old friend.

Young Richard of Gloucester uses the chaos of the Wars of the Roses to begin his unscrupulous climb to power in this classic Shakespearean history of a king in the throes of jealousy and murder. Despite being manifestly unfit to govern, he overcomes each obstacle in his way to seize the crown, as King Richard III. But as those around him turn against him, and as his plans begin to unravel, where else can he turn as the Lancastrian opposition returns to drag the country into battle once more and put an end to Richard’s tyrannical rule. Richard III is a savagely comic analysis of the exercise of power, reminding us of the dangers of tyranny and our duty not to let it go unchecked.

King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point. Antony Sher plays King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.

Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy, their innocence is tested and exposed to the savage corrupting influence of war with tragic consequences.

Film version of the Royal Shakespeare Company's 2012 production of Shakespeare's fast-moving thriller. A vivid story about a struggle for democracy, Julius Caesar is also a love story between two men united by an explosive act of political violence. The setting is a modern African state in which the tyrant Caesar is about to seize power. Cassius persuades Brutus to join the conspirators plotting an assassination. Featuring a distinguished cast of black actors, the film is shot on location and in the RSC's theatre at Stratford-upon-Avon

On a distant island a man waits. Robbed of his position, power and wealth, his enemies have left him in isolation. But this is no ordinary man, and this no ordinary island. Prospero is a magician, able to control the very elements and bend nature to his will. When a sail appears on the horizon, he reaches out across the ocean to the ship that carries the men who wronged him. Creating a vast magical storm he wrecks the ship and washes his enemies up on the shore. When they wake they find themselves lost on a fantastical island where nothing is as it seems.

With his crown under threat from enemies both foreign and domestic, Henry IV prepares for war. Having deposed the previous king, he is only too aware how tenuous his position is, and the price to be paid if he falters.

Live from Stratford-upon-Avon. The Royal Shakespeare Company presents Measure for Measure.

Henry IV is dead and Hal is King. With England in a state of unrest, he must leave his rebellious youth behind, striving to gain the respect of his nobility and people. Laying claim to parts of France and following an insult from the French Dauphin, Henry gathers his troops and prepares for a war that he hopes will unite his country. Gregory Doran continues his exploration of Shakespeare's History Plays with Henry V performed in the 600th anniversary year of the Battle of Agincourt. Following his performance as Hal in Henry IV Parts I & II Alex Hassell returns as Henry V.

Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.

Henry VI: Part One Filmed as a rehearsal run through performance during the Covid 19 pandemic, Henry VI: Part One introduces us to a young and reclusive Henry, who is proclaimed King of England after the death of his father, Henry V. Directed by Gregory Doran and Owen Horsley.

Shakespeare's tale of manic jealousy and redemption was hailed by critics and played to packed houses for its entire run. Captured just before its close at the Barbican Theater in 1999, this is a recording that will live for generations.

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