Erwin Olaf

This VPRO's ‘summer classic’ is based on an equally simple and refreshing idea that originated in 1988: When during the summer most of the channels are showing reruns, ask interesting people people to curate their ‘favorite television evening’ and let them clarify the fragments in a long-form interview/conversation. The programme was first aired in 1988. Each episode takes up an entire Sunday evening, lasting typically three hours. It consists of an in-depth studio interview with a notable Dutch, Belgian or other Dutch-speaking foreigner, interspersed with cinema or television footage selected by the guest, which is subsequently discussed. Guests include writers, scientists, television personalities, politicians or business people.

No synopsis available yet.

Overstimulated by flamboyant props and distracted by extravagant queens pacing up and down the rooms and corridors, one easily forgets the 18th-century country house serving as the backdrop in Tadzio. Yet this imposing bourgeois mansion was the starting point of it all, as well as the only constraint the directing duo of the short film had to consider. An eminent Dutch cultural critic, Els Hoek, challenged several artists to feature this particular place in an audiovisual artwork. She provided them with a generous budget and left them to do the rest. Three films emerged from her idea – Tadzio among them.

No synopsis available yet.

Stylised, largely French-spoken homage to Luchino Visconti about a 19th century young noblewoman who is surrounded by people from the moment she awakes. Resigned, she undergoes the morning ritual, in which three servants clothe her and do her hair. During the day, she grows increasingly paranoid. The people she sees remain unnoticed by the others. Or is she really watched?

In a large open and light shower room a boy is washing himself, posing like he is acting in a shower gel commercial. With exaggerated movements, his hands slide all over his skin with the foam pouring plentifully down his body, as if this scene sprang from someone else’s imagination.

This VPRO's ‘summer classic’ is based on an equally simple and refreshing idea that originated in 1988: When during the summer most of the channels are showing reruns, ask interesting people people to curate their ‘favorite television evening’ and let them clarify the fragments in a long-form interview/conversation. The programme was first aired in 1988. Each episode takes up an entire Sunday evening, lasting typically three hours. It consists of an in-depth studio interview with a notable Dutch, Belgian or other Dutch-speaking foreigner, interspersed with cinema or television footage selected by the guest, which is subsequently discussed. Guests include writers, scientists, television personalities, politicians or business people.

No synopsis available yet.

Overstimulated by flamboyant props and distracted by extravagant queens pacing up and down the rooms and corridors, one easily forgets the 18th-century country house serving as the backdrop in Tadzio. Yet this imposing bourgeois mansion was the starting point of it all, as well as the only constraint the directing duo of the short film had to consider. An eminent Dutch cultural critic, Els Hoek, challenged several artists to feature this particular place in an audiovisual artwork. She provided them with a generous budget and left them to do the rest. Three films emerged from her idea – Tadzio among them.

Overstimulated by flamboyant props and distracted by extravagant queens pacing up and down the rooms and corridors, one easily forgets the 18th-century country house serving as the backdrop in Tadzio. Yet this imposing bourgeois mansion was the starting point of it all, as well as the only constraint the directing duo of the short film had to consider. An eminent Dutch cultural critic, Els Hoek, challenged several artists to feature this particular place in an audiovisual artwork. She provided them with a generous budget and left them to do the rest. Three films emerged from her idea – Tadzio among them.

No synopsis available yet.

Stylised, largely French-spoken homage to Luchino Visconti about a 19th century young noblewoman who is surrounded by people from the moment she awakes. Resigned, she undergoes the morning ritual, in which three servants clothe her and do her hair. During the day, she grows increasingly paranoid. The people she sees remain unnoticed by the others. Or is she really watched?

Stylised, largely French-spoken homage to Luchino Visconti about a 19th century young noblewoman who is surrounded by people from the moment she awakes. Resigned, she undergoes the morning ritual, in which three servants clothe her and do her hair. During the day, she grows increasingly paranoid. The people she sees remain unnoticed by the others. Or is she really watched?

In a large open and light shower room a boy is washing himself, posing like he is acting in a shower gel commercial. With exaggerated movements, his hands slide all over his skin with the foam pouring plentifully down his body, as if this scene sprang from someone else’s imagination.

No synopsis available yet.