Enikő Eszenyi

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The opera-film, as opposed to Gluck's Vienna version, is a recollection of the ancient tragic Greek myth. Orpheus, who is able to defeat Hades with the power of art, is unable to conquer his own human defects. Amor is sympathetic to Orpheus' sufferings as he mourns his dead beloved, and lets him know the message sent by the Gods, namely that he may take her home from the underworld if he is capable of not looking at her.

A deep drama about life in Hungary after the WW2 until the revolt against Russians in '56. The main character is the head of the black market in Budapest. He thinks he can buy everyone and everything but at the end he must face that he can't buy life. A must-see for everyone. Casting involves some of the greatest Hungarian actors. The story takes place in the eighth district of Budapest focusing on the market place on Teleki square which is still working. The movie contains some archive footage of real fight during the revolution.

Vilmos Gonda, a former bomb expert, wants revenge for the rape of his daughter Mari at a house party. Gonda even sheds human blood for this, but he has no idea that his daughter is also responsible for what happened, and she does not want to press charges. In fact, she feels it is more important to assert herself in this kind of friendship at any cost...

Reviewers found this somewhat surreal film so visually stunning as to be worth watching even when it was not clear to them what was going on. In the story, Jozef Schrevek is a man with unusual powers which he wishes to pass on to his son before his death, which is coming soon. Unfortunately, his son is much more interested in boozing and womanizing and being a well-known habitué of nightclubs, than in taking his father seriously and receiving his powers and the responsibilities which come along with them. The tension between the two escalates when a young woman enters their lives.

Kató Kelemen is asked by her father to go to his office and welcome an important business partner of his. When Mr. Andersen arrives he assumes Kató is a secretary and instructs her to deliver a letter. He's about to travel to Venice with his nephew who he has never met before. Since Kató falls in love with Andersen at first sight, she decides to dress like a boy and pretends to be the nephew.

It is Dr. Borlai's job to tell the patients that they just have a few days left. But one day his colleauge tells him this story. So the sample husband the best father and doctor comes up with a devilish plan. To ruin every relationship that he is in so the loved ones will let him go easily. And when he achieves this he is still alive but he should be in the cemetery long ago.

A subway enforcement officer working in the oppressively gray Budapest metro gets a chance at love — but first he needs to find out why passengers are jumping — or being pushed — to their deaths onto the tracks.

A country theatre wants to stage the historical play of the opposition author, who is famous abroad but it is well known, that he is fatally ill. The ministry unexpectedly bans the premier. The author is not informed about the decision and he wants - before his death - the costume rehearsal of the play. The director and his actors set up a false rehearsal at the price of a long night's tedious job.

One day of a Hungarian stock trader.

In pre-WWI Austria-Hungary, a physician struggles with his decision about which woman will he marry.

In this somewhat uneven political satire, good revolutionaries have overthrown a totalitarian state riddled with corruption on all levels when a truly naive bureaucrat (Boguslaw Linda) is placed on a jury that will judge the results of a history competition. Once on the jury, the young bureaucrat starts looking into the past himself and gets embroiled in a labyrinth. The past may well be unclear because recent leaders have certain facts that need to be kept buried. Filmmaker Janos Kovacsi borrows characteristics from revolutions in the Eastern European block (1950s-1980s) to create this post-revolutionary society with an idealist commander (Ferenc Zenthe) meant to lead them. A clue as to what happens next lies in the opening scene -- the funeral of the commander who has given his life for his cause. Ironically, Kovacsi undoubtedly faced censorship on this film. That would not only account for some uneven narration, but it adds a dimension of reality to the topic at hand.

To celebrate Sleeping Beauty's awakening, the cruel stepmother organises a dress-ball in the Wonder Castle and invites the characters of all tales and their two fathers, the Grimm-brothers. The stepmother announces total peace, but in fact she is preparing for a coup d'état with a phoney prince, a phoney Sleeping Beauty, through intrigue and violence in order to change the tales.

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In a world, where a number on the neck shows how happy people are, Kristóf (hiding his number with a turtle-neck) waits for the mandatory Annual Happiness Measurement. In the checking room, first, the contrast material is injected into his body, as every year. But this time, the examiner is shocked, when she realizes, Kristóf is a problematic 21. This happiness level barely exceeds the critical minimum limit. If he goes below 20, he has to be reported to the authorities. On his way out, he bumps into his ex-girlfriend, who surprisingly doesn't hide the number on the neck. She is a proud 80. Seeing her happy, Kristóf starts to realize, maybe he was wrong to break up with her. Maybe, they could be happy again... together.

No synopsis available yet.

Gruber is a normal 16-year-old growing up in Budapest in 1962, but he has a problem -- how does he get to know the opposite sex? At the Sunday afternoon dance classes the young "ladies and gentlemen" hold each other while dancing, and that makes the lessons worth something. Otherwise, the pianist's attention wanders and the orchestra does not exactly play with a single-minded dedication. In fact, everybody seems to have other things on their minds, except for the enthusiastic dance instructor and his ever-smiling assistant.

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

Péter, a literary critic, is tasked by the secret police to persuade Social Democratic politician, Anna Kéthly, who has been living in exile for decades, to return home.

The Soviet-Hungarian film version of the biography of one of the most talented composers of our time, the classic of the Vienna operetta - Imre Kálmán, known for all his music for operettas "The Csárdás Princess", "Countess Maritza", "The Circus Princess", "The Violet of Montmartre", "Die Bajadere" and many others. The music of Imre Kálmán has no equal in operetta for its festivity, “elegance”, and the refinement of melodics and orchestration.

This is a story of a man who wants to grasp and hold his beloved one by him and a woman who insists on that her love can't be grasped; 'she' only can deliver hers. It has written Comedy, Romance etc... but, this movie doesn't include anything funny, I believe. After I see the movie, I thought that love springs through a one's heart and it has its own spirit. It doesn't have to have any company. The matter is if it coincides its mate; that's it.

Marguerite Gautier, a beautiful Parisian courtesan turned courtesan, falls in love with the son of a country nobleman of modest means. This ardent love makes her give up her former lifestyle and move to the country with the boy. Despite their financial problems, their blissful happiness is interrupted by the appearance of the father, who asks Marguerite to break off her love affair for the sake of the boy. She then returns to Paris and resumes her self-destructive lifestyle, which has a fatal effect on her health. Her lover's heartache only increases when the truth is revealed: she has sacrificed her happiness for his career.

Documentary about the song “You'll Never Walk Alone,” the most famous sports anthem of the world.

The life of Tamás, antiquities dealer, runs in a normal, everyday way, he is stealing, swindling, cheating on his wife just like everybody else. Suddenly three men, who live in the attic, start harassing him. They construct coarse and unpleasant schemes against him and carry them into effect at the most unexpected times and places.

The story is set between the two world wars, in an era when poverty and madness were rampant. Humanity and faith in freedom have failed.