Ana Patricia Rojo

Dramatization of real-life situations and stories that are related to popular sayings, by Don Tomas.

Dulce María is like her name, a sweet 5-year-old girl, full of joy and good feelings. With the death of his mother, his father, Luciano Larios, sinks into depression and pain, and decides to distance himself from everything and everyone. He admits Dulce María to the "Queen of America" ​​nuns' school and goes abroad, leaving her in the care of her brother Gabriel, who is a priest. The only visit the girl receives is from her beloved Aunt Estefanía, whom she affectionately calls "Aunt Wigs" because instead of showing her hair, she wears colored wigs that match her clothes.

When Marichuy was born, her mother—believing she was on the verge of death—handed her over to a priest, who took her to an orphanage. At the age of fourteen, Marichuy ran away from the institution and began wandering from place to place, scraping together a living however she could. Years later, she was attacked by a drunkard; the incident left her harboring resentment toward men and plagued by harrowing nightmares.

A romance blossoms between a young country woman and the grandson of the late owner of a tequila company. The young man promises to return and marry his girlfriend once he finishes his studies abroad, unaware that she has become pregnant.

A brave, poor young girl is welcomed into a rich family and develops a romance with their misogynist youngest son, driving a woman already in love with him to go to great lengths to destroy their relationship.

Esmeralda is a telenovela that was released by Televisa in 1997. It is a remake of a 1970 Venezuelan telenovela of that same name, and was itself remade in Brazil in 2004. Another version is Topacio from Venezuela in 1984. One of the most famous telenovela all the time.

Dramatization of real-life situations and stories that are related to popular sayings, by Don Tomas.

Dulce María is like her name, a sweet 5-year-old girl, full of joy and good feelings. With the death of his mother, his father, Luciano Larios, sinks into depression and pain, and decides to distance himself from everything and everyone. He admits Dulce María to the "Queen of America" ​​nuns' school and goes abroad, leaving her in the care of her brother Gabriel, who is a priest. The only visit the girl receives is from her beloved Aunt Estefanía, whom she affectionately calls "Aunt Wigs" because instead of showing her hair, she wears colored wigs that match her clothes.

When Marichuy was born, her mother—believing she was on the verge of death—handed her over to a priest, who took her to an orphanage. At the age of fourteen, Marichuy ran away from the institution and began wandering from place to place, scraping together a living however she could. Years later, she was attacked by a drunkard; the incident left her harboring resentment toward men and plagued by harrowing nightmares.

A romance blossoms between a young country woman and the grandson of the late owner of a tequila company. The young man promises to return and marry his girlfriend once he finishes his studies abroad, unaware that she has become pregnant.

A brave, poor young girl is welcomed into a rich family and develops a romance with their misogynist youngest son, driving a woman already in love with him to go to great lengths to destroy their relationship.

Esmeralda is a telenovela that was released by Televisa in 1997. It is a remake of a 1970 Venezuelan telenovela of that same name, and was itself remade in Brazil in 2004. Another version is Topacio from Venezuela in 1984. One of the most famous telenovela all the time.

Mistreated by the Narváez family, the poor and innocent Maricruz is humiliated, abandoned, and imprisoned, losing everything. Upon discovering her true origins, she transforms into a wealthy and powerful woman. Driven by grief and the loss of her father, she vows revenge against everyone who made her suffer.

The story of two lawyers specializing in family law, Ricardo and Alejandra, that despite coming from two disappointments and being in a world where it seems that love loses strength, before so much divorce, they still have faith in finding true love.

No synopsis available yet.

Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

Luisa Fernanda Pérez, a beautiful, 18-year-old student, has two passions: mastering the violin and gardening, a skill she learned from her father, Pedro, the former groundskeeper of the wealthy Altamirano family’s estate. A chance encounter with destiny alters her life after she is injured in a car accident caused by Luis (her biological father), a playboy lawyer and falls for his stepson, Carlos, an attractive, young doctor treating her at the local hospital.

The story of Renata Flores del Angel, a young woman from a wealthy family who falls for Pablo Ramos, the foreman of her father's estate.

Vivo Por Elena is a Mexican telenovela starring Victoria Ruffo and Saul Lisazo with the antagonic roles of Ana Patricia Rojo and Sebastian Ligarde. The telenovela aired on Univision in 1998. The theme song for the telenovela was Vivo Por Ella, sung by Andrea Bocelli with a duet by Marta Sanchez. The telenovela has been repeated several times on different channels since its original airing.

Al filo de la muerte is a Mexican telenovela produced by Emilio Larrosa for Televisa and originally broadcast on Canal de las Estrellas from June 17, 1991, to February 21, 1992. Created by Fernanda Villeli and Marcia Yance, the telenovela stars Humberto Zurita and Gabriela Rivero. The story follows Tracy López, a young nurse living in Los Angeles whose life is turned upside down after she witnesses her boyfriend commit a murder. Placed in the Witness Protection Program under the new identity of Mariela Foret, she flees to Mexico City, where she begins working at a prestigious hospital. There she meets cardiologist Francisco Riquer, and despite their difficult first encounters, they fall in love while facing danger, revenge, and the lingering threat of Tracy's criminal past.

Los Parientes Pobres is a telenovela made by Mexican TV network Televisa. It is a telenovela set in Mexico. This telenovela was broadcast in 1993.

An anthology series featuring women from different walks of life who are driven to violence and murder because of circumstances varying from mental illness and domestic violence to humiliation and manipulation.

Rebeca is a 2003 Spanish-language telenovela produced by Venevisión International. The telenovela was written by Alberto Gómez and stars Mariana Seoane and Ricardo Álamo as the main protagonists with Gaby Espino, Pablo Martin and Elluz Peraza portraying the main antagonists.

Dulce Desafío is a Mexican telenovela starring Adela Noriega and Eduardo Yáñez.

No synopsis available yet.

No synopsis available yet.

El Noveno Mandamiento is a Mexican soap opera produced by Lucero Suárez in 2001. As of June 24th, 2013, Unimas is broadcasting 2 hour episodes of this soap opera.

No synopsis available yet.

Bendita Mentira is a Mexican telenovela produced by Jorge Lozano Soriano for Televisa and originally broadcast on Canal de las Estrellas from August 5 to December 6, 1996. It is based on the radio serial La madrastra, created by Inés Rodena, and was adapted for television by Celia Alonso and Andrea Ordóñez. The story follows Esperanza, a humble housekeeper who works for the wealthy de la Mora family. Unknown to everyone, Diego—the young man who despises her—is actually her biological son, having been raised to believe the de la Mora family are his true parents. As long-hidden secrets begin to surface, Esperanza must confront prejudice, betrayal, and painful truths while fighting to reunite her family and find happiness.

Alberto falls in love with the daughter of one of the men who wants to close the printing press that his family has run for generations. Although his love is immense, saving the business

María José is a Mexican telenovela produced by Juan Osorio for Televisa and originally broadcast on Canal de las Estrellas from February 13 to May 18, 1995. It is a remake of the 1982 telenovela Bianca Vidal, based on the original story by Inés Rodena and freely adapted by Gabriela Ortigoza. The story follows María José, a beautiful and humble young woman who works as a domestic servant while caring for her ailing foster father. She falls in love with Carlos Alberto Almazán, but their relationship is threatened by family secrets, social differences, and the schemes of Imperia, a woman determined to keep them apart. As hidden truths about María José's past come to light, she must fight for love, justice, and her rightful place in the Almazán family.

No synopsis available yet.

One real hour. An hour of suspense. An hour of life and death. After 60 minutes, nothing will be the same as before.

An anthology series featuring the stories of women who confront everyday relationships and modern hardships from domestic violence and heartbreak to mental illness and infertility.

In a mid-19th century Essex country house, a young governess for two children becomes convinced that the house and grounds are haunted by ghosts and that the children are being possessed.