Theda Bara

The true story of the life of the movies first femme-fatale, Theda Bara, who made over 40 films, only a handful of which survive. Born in America, her film producers insisted she was an exotic foreigner, born in Egypt. Her most famous film was "Cleopatra" (Fox, 1917).

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

John Schuyler, a happily married lawyer, is appointed diplomat and sent to England. Due to an unfortunate accident, his wife and child can not come along with him. On the ship to England, Schuyler meets the notorious Vampire - a relentless gold digger who causes the moral degradation of those she seduces, first fascinating and then draining the very life from her victims.

Fernande marries a man and schemes to get his wealth when his expected death occurs. But he dies before he can change his will. She next tries to kill the son who inherits, but he outfoxes her.

Kathleen, the daughter of a poor tenant farmer, dreams of her wedding with her beloved Terrence. The dream is interrupted when the Squire of the estate takes an interest in Kathleen and forces her father to allow him to marry her to forgive the father's debt.

An unprecedented anthology of never-before-told true stories by and about some of Hollywood's most interesting stars, legends, and wannabes, and takes readers inside Hollywood's inner sanctum to show how casting decisions are made, who makes them, and who has the final word.

Italian peasant girl deserts her fiancé for wealthy gangster and departs for America.

In this lost film, Theda Bara took the role of spoiled, deceiving nymphomaniac "vixen" Elsie Drummond. She wooed Wall Street businessman Martin Stevens (A. H. Van Buren) away from his interest in her sweet sister Helen (Mary G. Martin). She continued to seek after rich men, eventually marrying young statesman Knowles Murray (Herbert Heyes) (again stolen from Helen) - but still willing to be unfaithful with Stevens who had since regained his fortune. (filmsite.org)

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

A young man visiting Hollywood on family business gets into trouble when he sees a bank robbery in progress, and thinks it is a movie scene.

Based -- loosely -- on Leo Tolstoy, this film starred feted stage star Nance O'Neil but is rather better remembered as Theda Bara's follow-up to the sensational A Fool There Was (1914).

The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.

The story of Cleopatra, the fabulous queen of Egypt, and the epic romances between her and the greatest men of Rome, Julius Caesar and Antony. Only a small fragment of this film survives.

This picture is based on the same story that became D.W. Griffith's Orphans of the Storm in 1921. This version, made by the Fox Studios, stars famous "vamp" actress Theda Bara in the role that Lillian Gish later made famous

A woman detained in Germany attempts to escape so she can reunite with her American lover.

Pioneer filmmaker J. Stuart Blackton was intrigued by the idea of a film about the history of the movies as early as 1915. He finally released a 52-minute feature called The Film Parade that was shown in New York and favorably reviewed by "Variety" in 1933. He continued tinkering with the film for the rest of the decade, and later filmmakers and distributors used Blackton's footage for stock or to produce their own variously titled and truncated versions. -UCLA Film & Television Archive

Lolette an exotic and spirited peasant girl lives In the small Spanish village of Juanguera . Although ardently courted by the native swains, and particularly a bandit called The Tiger, Lolette prefers Maurice Tabor, a French artist who has come to Juanguera to paint. Because he refuses to take her to Paris, Lolette accepts a gift of stolen jewels from The Tiger and follows Maurice to France.

This film is a very loose film adaptation of the 1831 novel The Hunchback of Notre-Dame by Victor Hugo and presumed lost: The wealthy girl Esmeralda is kidnapped by gypsies at birth and becomes, as one might assume, the darling of Paris. She is loved by the bell ringer and former hunchback Quasimodo, Frollo, the wicked surgeon who cares him, and an equally wicked Captain Phoebus.

After Jeanette becomes the mistress of the ambitious Jean du Barry, he marries her off to one of his cousins so that she has an entre to the royal court. She soon becomes the favorite of the King and Jean du Barry becomes a regular around the court too. But all this is disturbed when Madame du Barry falls for Conte Brissac of the King's Guard. Jean du Barry's attempts to expose her affair only get him banished from the court.

When she goes to tell her husband Hubert that she is expecting a child, Caroline Knollys finds him in the arms of another woman. Caroline leaves him and, not telling him of her pregnancy, runs off to Europe where she has her child and becomes the toast of European society. Then she returns to settle with her husband once and for all.

When her lover deserts her, Gioconda Dianti seeks revenge by wrecking the lives of other men. When famous sculptor Lucio Settala meets her and asks her to pose for him, she sets out to ruin him. She captivates the artist with her charms, and he soon forgets his wife Silvia, their daughter Little Beata, and even his work. After Gioconda defies Silvia to take her husband back, Lucio shoots himself in a fit of desperation. Although Silvia nurses him back to health, Lucio soon returns to the enticing Gioconda. When Silvia's subsequent quarrel with Gioconda becomes a fight, Gioconda attempts to destroy Lucio's statue, but it falls on Silvia and is saved. Silvia, however, is crippled for life. Because of this, Lucio's sanity is affected and he becomes a raving maniac. Later, cast aside by her "man of the world," Gioconda also descends into madness. A lost film.

Theda Bara does her usual vamp turn in this picture, but this time she's a vamp who turns out to have a heart of gold. Her character, Blanchette DuMonde, is known as "the wickedest woman in Paris," and because of this sordid reputation, she is not allowed to serve as a nurse during World War I. So she becomes an Apache dancer instead.

The Legion's mascot, Cigarette falls for an Englishman, Bertie Cecil (Herbert Heyes), and when he is sentenced to a firing squad, she heroically takes the bullet herself.

Vere Herbert lives with her wicked mother, Lady Dolly (Marie Curtis), who is living in sin with Lord Jura (Glen White). Although Vere is in love with an opera singer, Lucien Correze (Harry Hilliard), Lady Dolly convinces her that marrying the dissolute Prince Zouroff (Walter Law) will save her father's honor. But the Prince makes her miserable and insists on having his mistress, Jeanne deSonnaz (Caille Torrez), live with them.