Don Leaver

A washed-up actor has a nervous breakdown and believes that he really is the movie monster that he has been hired to play. Created as an episode of Nigel Kneale’s “Beasts” horror anthology miniseries.

A gambler is smuggled into a billionaire's house to undertake a gambling duel.

A man admits to the police a murder in London's busy Soho district, but cannot remember where he left the body.

Peter feels his life has to change, but should he risk his marriage with another woman?

Nellie (Pat Phoenix) is weak and bedridden in her aging, decrepit house due to a bad heart. Living out of her front room, Nellie is looked after by her son Harold (Tom Bell) who is going deaf and prone to eccentric and emotional outbursts following a motorbike accident some years previous. Relations are tense and fractious between Nellie and Harold, a state of affairs which isn't helped by Nellie's affectionate recollections of her estranged son Stanley (Tom Georgeson) who left many years before, taking with him Nellie's savings.

A young woman's knowledge of Shakespeare helps her solve a five-year-old mystery.

A washed-up actor has a nervous breakdown and believes that he really is the movie monster that he has been hired to play. Created as an episode of Nigel Kneale’s “Beasts” horror anthology miniseries.

A gambler is smuggled into a billionaire's house to undertake a gambling duel.

A man admits to the police a murder in London's busy Soho district, but cannot remember where he left the body.

Peter feels his life has to change, but should he risk his marriage with another woman?

Nellie (Pat Phoenix) is weak and bedridden in her aging, decrepit house due to a bad heart. Living out of her front room, Nellie is looked after by her son Harold (Tom Bell) who is going deaf and prone to eccentric and emotional outbursts following a motorbike accident some years previous. Relations are tense and fractious between Nellie and Harold, a state of affairs which isn't helped by Nellie's affectionate recollections of her estranged son Stanley (Tom Georgeson) who left many years before, taking with him Nellie's savings.

A young woman's knowledge of Shakespeare helps her solve a five-year-old mystery.

Edwyn sees the number nine everywhere and is convinced that forces of evil are at work.

Two people start to live together and raise children and a double pattern is set. You're a couple and one day you realise who or what you were before. But Frances must find herself again and runs to where the ships sail.