Dominic Hawksley

Chaank Armaments is experimenting with the ultimate fighting machine which is part human - part machine. So far, the Hardman project has been unreliable and has killed a number of innocent people. The genius behind this project is Jack who lives in a world of models, toys and magazines. When he is fired by Cale for killing a few corporate officers, he unleashes the ultimate killing machine called the 'Warbeast' against Cale and those who would help her.

Entropy is a semi-autobiographical film which tells the story of a young director struggling to make a film for a despotic studio while his life falls apart around him. Along the way, he goes on tour with U2 to help them make a music video, gets married in Vegas, and has a conversation with his cat.

When a spoiled English girl living in 19th century India loses both parents in a cholera epidemic, she is sent back to England to live in a country mansion. The lord is a strange old man-- frail and deformed, immensely kind but so melancholy. She wishes to discover what has caused him so much sorrow and to bring joy back to the household. It all must have something to do with the screams and wails which echo through the house at night and no one wants to talk about.

An erotic anthology based on classic short stories, chronicling the complicated relations between the sexes: a salesman seduces a woman on a train; a romantic evening is interrupted by phone calls; and a couple vacationing in Spain discusses a pregnancy.

This revolves around Tim West, an advertising executive who is developing a Channel 4 programme on cooking for terrorists. Disillusioned by the hyper-reality of the media world, he joins Robert de Niro evening classes, but also falls under the pastoral influence of Johnny Morris. From the opening images of night-time, car-ridden streets accompanied by languorous sax on the soundtrack, through to the sub-Chandleresque voice-over narration, Taxi Driver II strikes you with its clever knowingness. But it's more than just a clever nod in the direction of contemporary film noir, just as it's more than an incestuous joke at the expense of the London based media world: it's a telling comment on the contemporary media culture of postmodernism.