Jeanne Beker

Nash The Slash was deliciously surreal, verging on demented. A mummy wrapped in surgical bandages, an invisible man in full formal white tuxedo and top hat buzz-sawing his violin through endless reams of electronics, melodies and distortion. His music and image were demanding. His life was rock fantasy. ‘NASH THE SLASH RISES AGAIN!’ uncovers the sinister Canadian electronic music innovator. A classically trained violinist and multi-instrumentalist, he created music that was an unlikely combination of prog-rock, punk-rock, classic-rock, psychedelic fused with techno and industrial before they had names. The end result is an unearthly life drenched in film history, enveloped in a wall of sound that would do Phil Spector justice. A career embodied in artistic integrity, courage and the price-tag that comes with it. ‘NASH THE SLASH RISES AGAIN!’ unwinds the bandages of a ground-breaking, mad musical scientist whose career decomposed before the world caught up.

During the last years of World War II, Hermie, Oscy, and Benjie are coming of age. They went their separate ways when they graduated from high school in 1944. Benjie joins the Marines as Hermie and Oscy enter college. There, Hermie falls head over heels for another freshman named Julie, and the two old friends deal with a troublesome fraternity president who is in charge of hazings.

A woman looks past her insecurities in a time of change, self doubt and uncertainty.