Judy Buxton

Private eye Philip Marlowe investigates a case of blackmail involving the two wild daughters of a rich general, a pornographer and a gangster.

The first World War is in its third year and aerial combat above the Western Front is consuming the nation's favored children at an appalling rate. By early 1917, the average life-span of a British pilot is less than a fortnight. Such losses place a fearsome strain on Gresham, commanding officer of the squadron. Aces High recreates the early days of the Royal Flying Corps with some magnificently staged aerial battles, and sensitive direction presents a moving portrayal of the futilities of war.

Sensitive rural town model student Steven Carter hides his gay feelings, except with his neighbor and best friend Linda. Suddenly his desperate search for partners leads to a blind date with golden boy John Dixon, bound for an Oxbridge career.

A woman gives birth to a baby, but this is no ordinary one. The child is seemingly possessed by the Devil.

With the destruction of their previous neighbourhood has inevitably come the destruction of the lads’ favoured watering hole The Fat Ox. Again, it’s Bob rather than Terry who is visibly distressed by this. Upset and much the worse for free alcohol, Bob then storms into the library to seek sympathy from Thelma - who is, predictably, unimpressed. So when Thelma finds out that Terry has been getting semi-serious with glamorous Finnish shop assistant Chris, she takes it upon herself to try and pair them off for good via planning first a dinner party and then that mainstay of 70s comedy, a camping expedition. Of course, things don’t go quite according to plan and before you can say ‘I can see the way this is going’ we are set up for japes, larks and embarrassing incidents aplenty, which culminate in the lads getting rather fed up with their partners’ attempts to inflict the rugged outdoor lifestyle upon them and trying to hitch up and drive off with the girls still asleep in the caravan.

Another stab at Henry Fielding's hilarious novel about the amorous misadventures of a dashing young man in 18th century England. The brilliant 1963 version, starring Albert Finney as the lusty hero, won four Oscars. Joan Collins does a great job as a Wicked Lady style highwaywoman.

Alex despises Modern Art but when he falls in love with an adorable French artist, he understands that the only way to conquer her heart is to pretend he is an artist. He now must win a Modern Art contest in order to win her heart.