Maka Kotto

Forest dwellers pound drums upholding rituals while urbanites cry "Progress!" More plunder the land's riches but newly defiant ones shout back.

Nadege lacks the confidence to get what she wants from life... until the day she discovers a new passion that awakens the beast inside her.

No synopsis available yet.

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.

Through an Internet service, a Montreal professor arranges for himself a Mexican bride. But both husband and wife, even with their good intentions, are in for a bumpy ride toward marital harmony.

In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.

No synopsis available yet.

No synopsis available yet.

Nothing gets by Simone, even though she's blind. An adorable, incredibly precocious ten-year-old girl, Simone sets herself the task of coping with (and sometimes manipulating) the many offbeat charact... read more ers that surround her- including her broken-hearted father, an aging anarchist beekeeper, a beloved and asthmatic quasi-mother-in-law, a priest in the midst of a crisis of faith, and a biker with a wandering heart, for whom she has unconditional love. And then, of course, there's the village in which she lives, where everyone knows your business and makes it their own. No wonder Simone feels that she lives her life like a reel of film jumping in the sprockets of a projector. Life is strange and complicated enough, and then an aviator falls from the sky, threatening everything Simone loves the most.

Lionel, a young Frenchman, who has just arrived in Cotonou, Benin, loses his car, airplane ticket and passport and his hopes in riots in the city.

Because of a motorcycle accident, a young man from the poor outskirts of Paris must find a steady job in order to avoid being sent to prison. He gets into more trouble trying to do that.

A young Haitian (Michel Mpambara) who loves America visits his uncle (Maka Kotto) in Montreal.

Disturbing and violent memories haunt a man after he emerges from a lengthy coma.

A realistic look at the horrors of the slave trade, told entirely through the voice of a dead African slave whose spirit haunts the ocean route.

The struggle of Victor Schœlcher for the abolition of slavery in the French colonies.

Beaumarchais the Scoundrel is a biopic film based on the life of the French playwright, financier and spy Pierre Beaumarchais depicting his activities during the American War of Independence and his authorship of the Figaro trilogy of plays.

A Greek-Irish sailor becomes friends with a 10-year-old sampan girl while his freighter is docked in Hong Kong.

Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...

Monsieur Naphtali is a good-natured but somewhat feeble older man turned away from the rest home where he lives. In search of a place to stay, he finds his way to Paris, where a woman taking surveys takes pity on him and brings him home for a meal and a bed for the night. Naphtali finds himself spending the evening with the survey woman, her brother who works in publishing, his lovely but unhappy wife, an alcoholic doctor, and his wife, an ill-tempered judge. In a simple and unpretentious manner, Naphtali forces them all to open up about themselves and discuss elements of their lives that they usually prefer to avoid.

Idris is a young shepherd in the desert of Tunesia. One day a jeep drives by and a woman takes a picture of him; she says she's from Paris and promises to send him a copy. But when nothing arrives during the next months, Idris becomes worried. His father advises him to get his "face" back or bad things may happen to him. So he sets out to Paris... and discovers Paris as a world full of strange things and weird behavior.

Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.

Sucre Amer tells the story of a unique court case in which an event from the past is judged by a court of history. Major figures from history are brought together in the present to re-examine the "Ignace case", about a legendary figure in the history of Guadeloupe who fought against the armies of Napoleon Bonaparte to preserve his freedom. A hero despite himself, Ignace's life and struggle were subsequently consigned to oblivion by his enemies. His treatment has left a bittersweet taste in the mouths of the people of Guadeloupe.

Lucien Hastier, known as "Lulu", is a locksmith in La Courneuve and a communist activist. He had never known his parents and had been raised by the public assistance, a notary comes to announce that his father died and left him an extraordinary inheritance: a castle, a title of duke and a royal filiation. But problems arise, the deceased duke has left heavy debts and suitors to the title.

Elle (Isabelle Gélinas) wants to make a film about African wildlife. Adrien (Eric Métayer) is obsessed with the idea of making love to Elle in a very peculiar and theatrical imaginary bedroom. Perhaps following a principle of sympathetic magic, he arranges for a crew of eccentric friends to help create the bedroom of his dreams. If one part of his dream comes true, perhaps the other one will.

It is only a few years into the future, but the face of France has changed drastically, due to its takeover by a moralistic, hypocritical and totalitarian regime. Women with children who want to divorce their husbands are not allowed to do so, all political parties have been outlawed, smoking is illegal and everyone must work. After a spat with her boyfriend, Carole (Laure Marsac) hails a taxi, not realizing that she has done so without any of the money or identification papers she needs. Her driver (Bruno Cremer) attempts to help her, but a variety of mishaps bring her to the attention of the police, who proceed to arrest her on made-up charges and a phoney HIV-positive result on tests given at the time of arrest.

No synopsis available yet.

The year is 1943 and the place is Balandou, a small village in Guinea. The plot revolves around Adjutant Mariani, some kind of a misfit. Despised by his superiors, hated by his wife Marie-France, he represents colonial France while dreaming of Africa and its mysteries. When pro-independence Lanseye Kante, the new manager of the school, arrives in the village, turmoil arises.

A lawyer hires a call girl after learning his wife has invited her lover to move in; the husband and wife separate and the two new couples live side-by-side without issue - until an ex-boyfriend shows up and things start to go wrong.

Two friends, one a musician the other constantly depressed wander around Greece and France till they get to Paris without a penny to their name. Here they spend nights in the underground, and squat in houses with the African immigrants. One day they both fall in love with Mathilde a blond dancer and follow her to New York.

Loïc, a chestnut seller, has a mistress who wants a baby. Not daring to admit to her that he had the mumps late in life, he finds other excuses. Until the day he meets Claire, an old girlfriend, who has a little boy. Loïc finds the resemblance between the little boy and himself enormous and is convinced that he is his father...

A warm summer in Montreal. Two black men, Man and Bouba, share an apartment. Man is an ambitious author, writing on The Great Novel. Bouba is a lazy amateur philosopher who quotes the Koran. Man's habit of picking up young white women makes many young white men jealous...

Drama about a white young woman who finds a wounded black man in her house.

The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.

The hopes and woes of a theater company in Africa.