John Densmore

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, in the apartment of his girlfriend Pamela Courson. The chronicle of the last months of the life of the poet, singer and charismatic leader of the American band The Doors, one of the most influential in the history of rock.

Through conversations with the world's greatest drummers, director Justin Kreutzmann explores the importance of music in bringing people together.

A hybrid concert and documentary capturing a 2016 performance in Los Angeles, CA by surviving Doors members John Densmore and Robby Krieger to honor fellow Doors member Ray Manzarek on what would have been his birthday on February 12th. The film also includes rare archival footage of the band, conversations with Jim Morrison and Ray Manzarek, and esteemed music journalist Ben Fong-Torres, as well as new interviews with John and Robby. Proceeds from the LA concert were donated to Stand Up for Cancer as selected by Ray Manzarek.

James Lee Stanley has been the opening act for virtually every famous performer in music and comedy for over 50 years. Starting his career in the early 60's, James' story is woven throughout the decades. He has written more than 1,000 songs and had released 37 albums. This is not another story about the vagaries of show business. This is a story about hope, perseverance and the pursuit of the American dream. A feel good story.

The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.

A concert video that captures legendary rock 'n' roll band The Doors at the height of the group's powers. Filmed live at the Hollywood Bowl in the summer of 1968, Jim Morrison and the band perform an extended version of "Light My Fire," plus ten of their other most loved songs, taking a standing room only audience on an aural journey of mystical worlds and psychedelic experiences.

'Revolution: The Legacy of the Sixties' is an exploration of the 1960s Western cultural revolution as it ushers in our contemporary society. 'Revolution' explores, partly through interviews with many of its key instigators, the ground breaking cultural and social transformation of the 1960s as we get to the root of what changed during that period, and why. To what extent is our society and culture today a product of those changes? What does the 60s generation feel remains to be done today to complete the revolution, 50 years on?

An account of the life of the brilliant jazz musician John Coltrane (1926-67), a gifted saxophonist, an extraordinarily talented thinker whose original, avant-garde work has impacted and influenced people all over the world. A story about music's ability to entertain, inspire and transform.

Filmed on August 1970, 2AM, in front of 600,000 people, with Jim Morrison’s ongoing Miami obscenity trial still weighing heavily on the band, they traverse such staples as “Roadhouse Blues”, “Break On Through (To The Other Side)”, and “Light My Fire”.

A Thousand Years of Joy charts poet/activist Robert Bly's journey from Midwestern farm boy to global troubadour, bestselling author of Iron John and leader of the men's movement.

In 1967 an expressive, colourful musical force painted a backdrop of social change, fashion, love, turmoil and war. The world remembers the Summer of Love in 1967 as one of those moments when a unique and creative explosion of music and popular culture arrived in the UK and USA.

“Mr Mojo Risin’” is the story of the making of the Doors’ last album with Jim Morrison “L.A. Woman”. 2011 is the 40th anniversary both of the album’s release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.

Combining early TV appearances with their own music films, it illustrates how The Doors evolved from the constraints of late sixties television to a point where they had the creative input and power to shape how they were portrayed on screen. Throughout the unique charisma and talent of The Doors comes across, whether it be on a lightweight pop show or on a film created from their own imaginations, along with some of the most influential music ever made. Bonus Features: Commentary by Doors members John Densmore, Robby Krieger and Ray Manzarek plus Bruce Botnick and Jac Holzman / Performance of "Break On Through (To The Other Side)" from the Isle Of Wight Festival 1970 / 45 minute documentary: The Doors - Breaking Through The Lens / "Love Thy Customer" - 1966 Ford training film with music by The Doors / Outtakes: Malibu U 1967.

The Doors' legendary performance at the Hollywood Bowl remains a part of Rock and Roll history to this day. But the Bowl wasn't always so welcoming of rock music. Explore the history of the iconic venue and the artists who paved the way for The Doors to perform there.

A collection of memorable stories from The Doors as well as friends who were present the night of their legendary 1968 appearance at the Hollywood Bowl - from long-held rumors to behind-the-scenes anecdotes.

A newly produced feature using footage shot for Feast Of Friends, Encore is a complimentary piece which provides a deeper look into the life of the band at this period as they tour, record, travel and even vacation together. The program avoids the typical selection of hits and makes use of The Doors' rare recordings to accompany this unreleased footage.

The Blu-ray disc that accompanies the expanded version of THE SINGLES features a high-resolution Quadraphonic mix of The Best Of The Doors. This 11-song compilation, available on Blu-ray for the first time, was remixed specifically for Quad in 1973 and offers a unique sonic experience on songs like “Soul Kitchen,” “Moonlight Drive” and “Love Me Two Times.”

We went back into The Doors' footage vault and restored the original concert film of their legendary Hollywood Bowl performance to high-definition video with a 5.1 stereo surround mix! Get a glimpse into the process of restoring the picture and sound.

A future classic was unleashed in January 1967 as the Doors released their eponymously titled debut album. This documentary in the Classic Albums series takes an in-depth look at the album, with commentary from Bruce Botnick, who worked on the album, and the three remaining Doors--guitarist Robbie Krieger, keyboard player Ray Manzarek, and drummer John Densmore. The three band members also play some of their instrumental parts from the album, offering invaluable insight into how the songs were constructed.

This episode of VH1 Storytellers is broadcast on November 22, 2000 to coincide with the release of the tribute album Stoned Immaculate: The Music Of The Doors. All of the performers joining The Doors on this program also appear on the album. This performance would mark the last time that Ray Manzarek, Robby Krieger, and John Densmore ever reunited to play live together as The Doors. Set List: Love Me Two Times (Pat Monahan) / Alabama Song (Ian Astbury) / Back Door Man (Ian Astbury) / Wild Child (Ian Astbury) / The End (Travis Meeks) / Break On Through (Scott Weiland) / Five To One (Scott Weiland) / L.A. Woman (Perry Farrell) / Riders On The Storm (Scott Stapp) / Roadhouse Blues (Scott Stapp) / Light My Fire (Scott Stapp)

Three different TV appearances ('67-'70) including old interviews, performances and the commentaries about specific songs by band members.

An in-depth study of the music of The Doors

The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.

This historical music video features as its centrepiece The Doors' last televised appearance, aired on PBS in 1969.

Filmed during their 1968 European tour, The Doors are captured in performances in London, Stockholm, Frankfurt, and Amsterdam. Paul Kantner and Grace Slick of Jefferson Airplane, who shared the bill with The Doors on this tour, narrate this compilation.

A collection of short films, interviews and concert footage of the '60s rock band The Doors. Includes three basic video segments: Dance on Fire, Live at the Hollywood Bowl and The Soft Parade. Each of the videos is directed by Ray Manzarek. The "extras" include Ray's two UCLA student films.

Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.

Mega-promoter Colin Beverly plans to sabotage the New Year's 1983 concert of small-time operator Max Wolfe. Wolfe's assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly's schemes.

A combination of concert footage, television appearances, record company promo clips and new video footage shows the Doors, a top '60s rock band. This film would later become part of The Doors 30th Anniversary Collection (released in 1999 and 2001) which compiles three films previously released by MCA/Universal Home Video: Dance on Fire (1985), Live at the Hollywood Bowl (1987) and The Soft Parade: A Retrospective (1991).

No One Here Gets Out Alive, The Doors' tribute to Jim Morrison is a full exploration of the controversial and quixotic singer, delving into his fascination with cinema and psychology, mysticism and sexuality, poetry and power. In addition to clips of the band in action, it features interviews with the surviving members of The Doors and many others who were instrumental in creating and maintaining the legend.

Both The Doors and Led Zeppelin were influential bands in their own right, and their impact on music history is significant. The Doors, with their poetic lyrics and unique sound, are often credited with helping to define the psychedelic rock genre. Led Zeppelin, on the other hand, is known for their powerful, blues-influenced hard rock and heavy metal music. Both bands have left a lasting legacy and have a large and dedicated fan base. Ultimately, determining which band was "better" is subjective and depends on individual musical preferences. Some may prefer the introspective and poetic style of The Doors, while others may favor the raw energy and virtuoso musicianship of Led Zeppelin.

An extended special version of the Doors' 1972 appearance on the German TV show Beat-Club

A cinematic look at The Doors on the road during their summer '68 tour. Concert performances are intercut with fly-on-the-wall footage of the group in their natural habitat.

Sex, death, reptiles, charisma and a unique variant of the electric blues gave the Doors an aura of profundity that has survived the band's demise. In September, 1968, The Doors gave a history making performance at The Roundhouse in London's Chalk Farm. They gave powerful renditions of their best songs. Part of the Pioneer Artist Concert Film Series.

The Doors film a six-song set and interview for a PBS television series called Critique in April 1969. It is broadcast by WNDT-Channel 13 in New York, NY on Wednesday, June 25, 1969 at 9:00PM.

Color UCLA Student Film, the UCLA Film and Television Archive. This documentary short paints a picture of the multidisciplinary and mixed-media art scene of Los Angeles in the 1960s, featuring The Doors in their first concert at London Fog in Los Angeles. Director Nettie Peña uses experimental collage filmmaking to weave together a vision of artists challenging the status quo.