Allan Blye

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

In this primetime TV reunion special, The sibling comedy duo and their players of their classic iconoclastic comedy-variety show reunite.

Comedy special starring Charlie Callas, Charles Nelson Reilly, Bobby Vinton, and many other young comedians.

In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.

After years of diminishing returns on the big screen, Elvis gets back to his roots on television, and turns in one of the greatest performances of his career.

This documentary explores Bob Einstein’s unlikely discovery and enduring career, sharing the many evolving layers of his comedy from the people that knew him best.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Comedy special starring Charlie Callas, Charles Nelson Reilly, Bobby Vinton, and many other young comedians.

In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.

After years of diminishing returns on the big screen, Elvis gets back to his roots on television, and turns in one of the greatest performances of his career.

By 1968, it had been more than seven years since he had appeared on stage on front of a live audience. In his first television special, clad in his now-iconic black leather suit, Elvis performed classic hits both on stage alone and, in sequences generally regarded as the forerunner of today's popular "unplugged" jam sessions, with friends and original bandmates. The program also included splashy production numbers. The original name of the program was "Elvis". Taped in June 1968 in Burbank, it first aired that December 3rd on NBC and was the network's biggest ratings victory that year as well as the season's top-rated show. It stands today as one of the great moments in rock music history and as a stunningly brilliant milestone in Elvis career. After this triumph Elvis poured renewed creative vigor into his recording work, wrapped up his movie contract obligations and returned full-time to the concert stage, beginning a new and exciting era of the Elvis phenomenon.

Before there were mockumentaries, there was this "Documentary/TV Movie" on the satirical 1968 Presidential campaign for comedy performer Pat Paulsen