Writing

John Weidman

Acting credits

Behind the camera

Assassins poster
10.0

This darkly satirical musical reframes American history through the eyes of those who attempted – successfully or not – to kill US presidents. Structured as a surreal carnival sideshow, the piece weaponises American musical traditions – vaudeville, folk ballads, barbershop quartets, patriotic Sousa-style marches and Bacharach pop – to undercut the myth of the “American Dream,” exposing how frustration, alienation and entitlement can curdle into violence.

Assassins

2004

Pacific Overtures poster
9.0

In 1853 Japan, the story follows the Westernization of Japan, mainly through the story of Kayama, a samurai, and Manjiro, a fisherman. The lives of both men are radically changed by the coming of American ships to Japan.

Pacific Overtures

1976

Sesame Street: Elmo's World: The Street We Live On! poster
7.6

Elmo's World celebrates 35 years of Sesame Street. Elmo wants to know more about the street he lives on, so Grover takes him on a trip back in time to see what Sesame Street was like before Elmo was born.

Sesame Street: Elmo's World: The Street We Live On!

2004

Sesame Street: Elmo Visits the Firehouse poster
10.0

Elmo learns fire safety from Firefighter Bill. This all comes about because he was scared after being in a fire at Mr. Hooper's Store on Sesame Street. Elmo visits Engine Company 58 Ladder Company 26 of the FDNY where he gets to see the firetruck, try on a helmet, and learn about firefighters.

Sesame Street: Elmo Visits the Firehouse

2002

Disco Beaver from Outer Space poster
4.8

National Lampoons mockery of everything that is wrong with cable TV.

Disco Beaver from Outer Space

1979

Sesame Street: Elmo's World: Flowers, Bananas & More! poster
5.0

Join Sesame Street's curious red monster as he explores flowers, bananas, and hair! Elmo's World offers kids and adults a fresh and light-hearted take on the world around them.

Sesame Street: Elmo's World: Flowers, Bananas & More!

2000

Contact poster
7.0

Director-choreographer Susan Stroman and librettist John Weidman construct an evening of three dance plays. The first deals with a "swinger" couple and their servant, whose sexual games suddenly change; the second finds an unhappy 1950s wife imagining herself the belle of a restaurant she attends with her abusive husband; and the final piece allows a suicidal executive to find life again chasing after a mysterious girl in a dance bar.

Contact

2002