Padmadevi

Kakoli and Sukanto meet in a library reading room. They gradually grow closer to each other and start meeting frequently. One day, she visits Sukanto at his home and her appearance moves everyone in his family. Sukanto's mother wants them to marry but Kakoli's parents refuse the proposal. So, Kakoli leaves the home of her father and begins working as a receptionist. However, misunderstandings soon develop between her and Sukanto.

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.

Satyendra, the scion of a wealthy Bengali zamindar family, is married by family duty to an eleven‑year‑old girl, Radharani. Emotionally detached, he grows closer to Bijli, a mature, self‑sacrificing courtesan.

Inspired by the life of Rishi Aurobindo, it’s a Bengali classic portraying the life of Sri Aurobindo Ghosh beginning from his return to India in 1892 to his life in Pondicherry in 1910. This film shows a detailed narration of his early life, marriage, interaction with Sister Nivedita, contributions in India’s freedom struggle and activities in Jugantar, Alipore bomb blast case, and the subsequent trial.

Kisan Kanya is a 1937 Indian Hindi-language film directed by Moti Gidwani and produced by Ardeshir Irani under the banner of Imperial Pictures. Made using Cinecolor, the film is based on a novel by Saadat Hasan Manto that highlights the struggles of poor farmers. The film is historically significant as India’s first indigenously made colour film. While V. Shantaram's Sairandhri (1933) featured scenes in colour, it was processed and printed in Germany, distinguishing Kisan Kanya as the first colour film entirely produced within India.

A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.

A dance film idealising poverty made mainly to showcase Bose's talents. Labour leader Suryashankar is jailed for trade union activities and, when released, finds that his friend Jagdish has stolen his property and plagiarised his play Bhookh (Hunger). To take revenge on behalf of the poor, Suryashankar's daughter Kumkum (Bose) marries Jagdish's son Chandan (Bhattacharya). Later she collaborates in staging a play meant to expose Jagdish's evil past. The film's publicity slogan was 'She robbed her husband to feed the poor!'

A narration of the journey of a young aspiring writer. Sandhya Rani and Uttam Kumar won critical favor for their performance in the film.

Jayanta Chowdhury, a ground engineer, is gravely injured and is received by his fiancé, Kuntala who takes care of him. However, Jayanta is not at peace as he suspects a conspiracy. He returns to Kolkata, much to Kuntala’s dismay, and starts following another ground engineer Sandeep Mukherjee, who he believes has betrayed his employer. Jayanta gets together with the Intelligence Officer Ranjit Mitra and traces Sandeep’s whereabouts. Sandeep is actually involved with the criminals Krishn Chand and Abdullah who force him to plant a bomb on an international flight. Sandeep, rather unwillingly, gives in as he needs money to treat his handicapped younger brother. Although he loves a girl named Ruby, he is unable to marry her for the same reason. Jayanta takes up the name of Arun Roy and befriends Sandeep to learn more about him. And the plot thickens.

This film is based on the Indian Mythological love story of Radha and Krishna.

Social comedy about two young newlyweds against the backdrop of pre-Independence Bengal.

Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.

A tale of two sisters caught in an Aristotelian turn of fate.

A rich young man woos proud girl against her father's wishes.

A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.

A middle-aged bank clerk happens on a stone with alchemical properties, allowing him to turn steel into gold.

Three orphans Arun, Barun and Kiranmala set out to search for their parents. While doing so, they face many challenges but receive help from the fairy spirits.

Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.

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Daktar Babu was a 1958 Bengali film produced by Movie Screen Limited and directed by Bishu Dasgupta. The film's story was written by Bijan Bhattacharjee and the script was written by Pranab Ray. The film starred Uttam Kumar and Sabitri Chattopadhyay and featured music composed by Rajen Sarkar.

A biographical film that chronicles Netaji Subhas Chandra Bose's radical involvement in the Indian independence movement and his dedication to the Indian National Army (INA).

Arun begins hating Kavita when he loses his scholarship due to a misunderstanding with her. But after his new fiancé asks Kavita to write Arun letters on her behalf, Kavita falls in love with him. An accident intertwines their futures.

Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.