
Acting
Chhabi Biswas
Born — Died
1900-07-12 — 1962-06-11
Place of birth
Kolkata, West Bengal, India
Known for
Acting
Credits
62 titles
Chhabi Biswas (Bengali: ছবি বিশ্বাস Chabi Biśbās) (12 July 1900 – 11 June 1962) was an Indian actor, primarily known for his performances in Tapan Sinha's Kabuliwala and Satyajit Ray's films Jalshaghar (The Music Room, 1958), Devi, (The Goddess, 1960) and Kanchenjungha (1962). He is best remembered for his numerous roles as the quintessential aristocratic patriarch, and was himself the scion of a rich and cultured North Kolkata family. He was born on 12 July 1900. His father, Bhupatinath Biswas, was well known for his charitable works. His first name was Sachindranath, but his mother nicknamed her handsome son Chhabi (a beautiful picture!) and the name stuck throughout his life and career. …
Known for
7.5An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
The Music Room
1958
7.5A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.
Devi
1960
10.0This movie is based on the life of a famous Bengali philosopher, academic educator, writer, translator, printer, publisher, entrepreneur, reformer, and philanthropist named Ishwar Chandra Vidyasagar.
Vidyasagar
1950
NRParasar was very fond of music from his childhood. He wanted to learn music, but his grandfather Kunja was not so interested about his passion. Later Parasar forcefully went to music teacher and became a good singer. After few years, he went to Ramlochan Sharma in Calcutta to learn more music. Ratri was the only child of Ramlochan babu. She had a soft corner for Parasar. After completion of learning, Parasar started to teach Minati. She was child of a rich family and not so interested to learn music. Minati's family friend Pulak did not like Parasar. Day by day Parasar was becoming more popular in Minati's family and as a result, Pulak took Parasar for a musical show in outside Bengal. However, Pulak hated Parasar. Pulak made a conspiracy and put Parasar in such a place from where Parasar was unable to come back. After a lot of effort, Ratri found Parasar in a very poor condition. He was very ill.
Dhooli
1954
NRKalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?
Badhu
1962
7.0The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.
Saheb Bibi Golam
1956
Film credits
1960s · 20 titles
7.5A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.
Devi
1960
NRKalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?
Badhu
1962
NRManik is mentally and physically abused by the manager of the orphanage he lives in. However, when he runs away to Calcutta, he finds himself in deeper trouble in a far more dangerous world.
Manik
1961
NRThe story revolves around Nayantara, a woman who is perceived as a witch by the villagers. As the narrative unfolds, it gradually reveals whether she is indeed a witch or if her tragic life has led her to appear that way.
Dainee
1961
7.6Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
Kanchenjungha
1962
8.0Dipto Roy (Uttam Kumar) returns to India after completion of his F.R.C.S. in London. He begins work at a village hospital, is an outstanding and devoted doctor and works hard to improve the hospital. He falls in love with the nurse, Achena (Supriya Devi) and they marry. His plan is that by working together they'll make the hospital well known for its excellence. But after marriage she wants to devote her time to the home and having children. This causes a bitter split between them and they separate.
Surya Sikha
1963
8.5Trouble ensues when an eccentric but simple-minded villager discovers he is the only living heir of a royal estate.
Raja-Saja
1960
A tale of two sisters caught in an Aristotelian turn of fate.
Smriti Tuku Thak
1960
8.0Sarbari and Saibal are both successful doctors and in love. However, Saibal comes from an affluent family, while Sarbari has to provide for her poverty stricken family, including her invalid father.
Hospital
1960
8.5A woman is murdered and a hand bill of a resort run by a young couple is found. Is the murderer headed for it? Who is next victim? All the boarders, including owners are under false name. Why? A policeman arrives, will he be able to stop?
Chupi Chupi Aashey
1960
9.0Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.
Bipasha
1962
9.0Shreemonto, who raises his son Jayanta alone, finds solace in his friend Anuradha, but she soon leaves him. Years later, Jayanta falls in love with Anuradha's daughter.
Atal Jaler Ahwan
1962
9.0A story about a young man, who had to quit his studies as a doctor due to difficult circumstances, coming back and saving a young lady by performing a very difficult surgery.
Kancher Swarga
1962
7.0A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.
The Hungry Stones
1960
8.0During WWII an army doctor is brought a drunken Anglo-Indian woman, whom he'd once loved, for treatment.
Seven Steps
1961
10.0Himangshu is a villageman who apart from practicing homeopathy helps the local people with their odds and ends. One day he gets a call from a rich man to escort his daughter Juthika to Patna. At first the rich and spoilt lady takes much disliking for the plain and simple young man but after having seen him from close quarters starts liking him. Soon her marriage is fixed to a bigshot. She confesses her feelings to Himangshu however he declines her love as he had a similar love failure in the past and did not want a broken heart again. He decides to leave the place and go away. Juthika breaks her engagement, leaves her family behind and chooses to come along with Himangshu, proving all his apprehensions wrong.
Suno Baranari
1960
8.0A woman feels that her worst fears may come true when she receives a letter from her sister after 22 years.
Maya Mriga
1960
NRThe young daughter of a struggling family is forced to get a job when her father is killed in an auto accident caused by an industrialist's son.
The Flame
1962
NRThe gloomy life of a young boy gets filled with joy when a new family moves into his neighbourhood. As the young boy sees the new girl, who becomes his new neighbour, he immediately falls in love. But things do not go easy for him as she lives with her uncle who has a very suspicious wife.
Shesh Paryanta
1960
NRIndra catches a thief Kaanta in the night and tricks him into believing he's a famous thief himself who has made away with large sums of money in high-profile heists and thefts. Later, Indra enters a bet with his friends who bait him into pulling off a theft and he seeks Kaanta's help.
Sakher Chor
1960
1950s · 38 titles
7.5An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
The Music Room
1958
10.0This movie is based on the life of a famous Bengali philosopher, academic educator, writer, translator, printer, publisher, entrepreneur, reformer, and philanthropist named Ishwar Chandra Vidyasagar.
Vidyasagar
1950
NRParasar was very fond of music from his childhood. He wanted to learn music, but his grandfather Kunja was not so interested about his passion. Later Parasar forcefully went to music teacher and became a good singer. After few years, he went to Ramlochan Sharma in Calcutta to learn more music. Ratri was the only child of Ramlochan babu. She had a soft corner for Parasar. After completion of learning, Parasar started to teach Minati. She was child of a rich family and not so interested to learn music. Minati's family friend Pulak did not like Parasar. Day by day Parasar was becoming more popular in Minati's family and as a result, Pulak took Parasar for a musical show in outside Bengal. However, Pulak hated Parasar. Pulak made a conspiracy and put Parasar in such a place from where Parasar was unable to come back. After a lot of effort, Ratri found Parasar in a very poor condition. He was very ill.
Dhooli
1954
7.0The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.
Saheb Bibi Golam
1956
6.0Rahmat, a middle-aged fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise and befriends a small Bengali girl called Mini who reminds him of his own daughter back in Afghanistan. One day Rehmat receives news of his daughter’s illness and decides to return to Afghanistan. But before he goes a violent fight with a customer leads to Rehmat killing him. He gets out of prison ten years later. Based on a Rabindranath Tagore story.
Kabuliwala
1957
NRWhen the messengers of 'Yamraj'- God of Death - mistakenly bring an alive, honest person to hell, he starts a revolution to fix outdated rules of heaven and hell.
Jamalaye Jibanta Manush
1958
6.8A middle-aged bank clerk happens on a stone with alchemical properties, allowing him to turn steel into gold.
The Philosopher's Stone
1958
NRThe struggles of a doctor in rural India.
Khaniker Atithi
1959
Nilachaley Mahaprabhu was a 1957 Indian Bengali biographical film directed by Kartik Chattopadhyay, based on the life of 15th-century mystic Chaitanya Mahaprabhu, who started his spiritual journey and Hindu reform movement, part of the Bhakti movement during his years at Nilachal, the shrine of Jagannath at Puri. It stars Asim Kumar in the titular role with Dipti Roy, Sumitra Devi, Ahindra Choudhury, Bhanu Bandyopadhyay, Nripati Chattopadhyay and Chhabi Biswas in supporting roles.
Nilachaley Mahaprabhu
1957
9.0Poor but brilliant doctor Jayanta (Uttam Kumar) and Mallika (Suchitra Sen), the grand-daughter of one of the richest men in Darjeeling, fall head over heels in love. Mallika's grandfather is not amused and tries to break up the affair when Jayanta goes abroad to study for a higher degree. Will true love conquer all?
Pathey Holo Deri
1957
10.0Suren, the son of a zamindar of Bangladesh, lives his life in his own way. He takes up the private tutor job for a girl whose elder sister is Madhabi, an ill-fated widow. But after a few days, he returns to his rich family and marries. But he cannot forget Madhabi who loves him like an elder and caring sister. In the meantime, when Madhabi's sister-in-law drives her out of the house, Suren hears that and arranges to return the property to her.
Baradidi
1957
8.0Deeply influenced by leftist ideology, this film dealt with social and political themes: A poor village boy's hazardous experience in a rich urban family.
The Dawn
1955
7.0The story of a popular young writer and an idealistic young architect.
Surya Toran
1958
9.0The story starts with the scene where Goutam Chatterjee is escaping from jail. Goutam is a freedom fighter and political leader. When Goutam is escaping, he takes shelter in Ruchira Banerjee's house. Ruchira's father Rajbahadur. R. C. Banerjea is a police officer. Goutam gets away from there. In the meantime, Ruchira leaves her house because her father forces her against her wish to get married to Subir. After that, suddenly Ruchira meets Goutam again. They become friends and they move from one place to another together. And the story continues with suspense at every turn.
Khelaghar
1959
10.0Jogin, a poor school teacher, had brought up an orphan Tomato as his nephew. But now suffering from the deadly tubercolosis, he decided to gamble with luck to see if a better home could be found for Tomato.
Chheley Kaar
1954
NRBased on a story of the Bengali writer Jorasandho, this film takes a sympathetic view of hardened criminals, and was notable in its time for its unsentimental and realistic depiction of the daily grind behind bars and the complex relationships that develop between the inmates.
Iron Door
1958
10.0The story revolves around the last life crisis of Jamini Mohan and his wife. After his retirement, Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of a distant relative, became their mental hope. After facing various humiliations from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually, Gobinda became Santoshini's absolute refuge.
Jog Biyog
1953
7.0An artist leaves everything behind to go in search of fame and recognition, but the past continues to haunt him.
Chhabi
1959
NRJayanta Chowdhury, a ground engineer, is gravely injured and is received by his fiancé, Kuntala who takes care of him. However, Jayanta is not at peace as he suspects a conspiracy. He returns to Kolkata, much to Kuntala’s dismay, and starts following another ground engineer Sandeep Mukherjee, who he believes has betrayed his employer. Jayanta gets together with the Intelligence Officer Ranjit Mitra and traces Sandeep’s whereabouts. Sandeep is actually involved with the criminals Krishn Chand and Abdullah who force him to plant a bomb on an international flight. Sandeep, rather unwillingly, gives in as he needs money to treat his handicapped younger brother. Although he loves a girl named Ruby, he is unable to marry her for the same reason. Jayanta takes up the name of Arun Roy and befriends Sandeep to learn more about him. And the plot thickens.
Sonar Harin
1959
9.5Tapas, an aspiring singer, and Mina, a troubled woman, meet by chance and decide to give life a chance together. As Tapas and Mina face struggles in their jobs, accusations of infidelity threaten their livelihoods, but they remain determined to overcome obstacles and find happiness.
Prithibi Amare Chay
1957
NRThe plot revolves around a series of flashbacks that reveal a judge's past and hidden secrets. Gyanendra, a judge, lives with his wife Sarama. Being the Judge, every time he has a trial of similar cases he remembers his past, the truth about his questionable actions. Gyanendra always recalls when he was a popular lawyer, married to Sumoti, a suspicious and rude lady. But he had a weak feeling for his professor's daughter Sarama. One day Gyanendra's house was burnt and his first wife Sumoti died. Gyanendra could not make any attempt to save her, perhaps he was unable to bear Sumati further. Thereafter he marries Sarama and becomes a judge but he realizes his crime and his past haunts him much.
The Judge
1959
9.0Indrani falls in love with Sudarshan, an unemployed man. Soon they face the hardships of life and drift apart.
Indrani
1958
10.0Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.
Adarsha Hindu Hotel
1957
NRBiswanath or Bishu a young warm-hearted man, made a "Mukti Fauj" in Hell against Jamraj. He also planned to escape with Lolita, Heena, Rita, Ghosai babu and others. After a lot of hurdles, they managed to fly away from Hell. They came back to Earth with expectations, but unfortunately, time was changed. All of them faced some unbearable situations which really made them sad. Bishu came to know his wife got married to a wrestler. Lolita's boyfriend Montu da was busy with some other lady. All these experiences helped them realize the changing time. As a result, Bishu with his mates decided to go back to Hell. Earth was unable to give them sufficient space to live a happy life.
Mriter Marte Agaman
1959
9.0The school of a remote and poor village shut down, the head master Krishna Prasanna (Chhabi) migrates to city in search of job. He moves with family, wife Labanya (Karuna), nubile daughter (Ranjana) and very young son. He takes residence with his wife's brother. He meets per chance one of his ex students, of whom he used to take free evening classes and many of whom got merit scholarship and became cream of society, a doctor, a judge, successful lawyer, manager of a big bank and so on. Can he cross the barrier and meet them? All have big bungalows and office with watchmen to stop. If he managed to meet them, will they recall his contribution and help their benefactor? If they do, what change he has to bring in himself? Can he?
Headmaster
1959
8.0The movie tells the story of Fakkaram, a.k.a. Fakka, and his love, along with his family and his greedy relatives, who are in search of a valuable amount of money left by a millionaire.
Chasing a Bounty
1953
7.0Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.
Sabar Uparey
1955
NRWith his hard-work and patience, a virtuous boy overcomes the harshness of the world.
Prashna
1955
NRUttam Kumar is in a mental asylum where he has forgotten slices of his life and behaves in a way that makes people feel he is mad. The doctor, however, disagrees and treats him with gentle kindness.
Hrad
1955
10.0Swarupa, an introvert, fails to express her love to Kushal, who falls for Nabola, a rich and beautiful woman. However, things take a sharp turn when greedy Nabola leaves him for a wealthier man.
Trijama
1956
8.0Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.
Ratrir Tapasya
1952
This is a story about a landlord in a local rural Bengal. He is very stubborn, egoist, commanding person. Every steps of his move has logical conclusions, with reasons and vision. He doesn't want to commit himself for any cause. But Jayanta doesn't always agree with landlord's decisions. He is very honest, sincere and whimsical person who doesn't know how to plan a work. He likes a girl from his early days and always wants to marry that girl. So he conveys his wish to the father of that girl. After a small hesitation, the landlord also agrees with his wife and nods for the approval. But after the marriage takes place, a long time mystery breaks out. As a result Jayanta has to suffer, but at last the landlord rescues him.
Antariksha
1957
9.0Rani Rashmoni is a Bengali Movie by kali Prasad Ghosh
Rani Rashmoni
1955
7.0A 1954 Bengali Drama Film directed by Nirendranath Lahiri.
Kalyani
1954
10.0Krishna, the daughter of a penny-pincher, falls for their tenant, Sunil. However, when Sunil leaves to forge a career, her insensitive father fixes her marriage with someone else for money.
Upahar
1955
9.0In post-partition Bengal, a clash of cultures between neighbors ignites a turbulent yet tender tale of rivalry, love, and unexpected alliances.
Ora Thakey Odharey
1954
10.0A 1958 Bengali Romantic Family Drama Film directed by Chitta Bose.
Bandhu
1958
8.0A 1957 Bengali Romantic Drama Film directed by Chitta Bose, featuring Uttam Kumar & Mala Sinha in lead roles.
Surer Parashe
1957
1940s · 2 titles
8.0A working-class leader confronts a villainous factory owner, falls in love with the boss's daughter unaware of her family origins and, after many adventures and setbacks, it is revealed that the hero is in fact the official heir to the property the villain had usurped. An influential Bengali novelist acknowledging allegiance to socialism, Mitra's studio-bound film concentrates on showing the milieu of the rich while the dialogues make numerous references to the workers and the poor.
Samadhan
1943
7.0Uttam Kumar's debut film. A tragic tale of love, loss, and redemption.
The Gift of Sight
1948
Behind the camera
8.0Sri Beniprasad, owner of "Model Drugs," discovers his workers’ grievances when he finds a bulletin circulated by them. Though his son Dilip is involved with the company, he advises his father to investigate independently. Taking on a disguise as a common laborer, Beni Prasad learns that his executives are dishonest and oppressive, even mistreating him. He is welcomed by Rammoy, a worker, and his family, where Jayanta, an enigmatic leader of the labor movement, regularly appears. During a secret meeting, Jayanta realizes Beni Prasad is undercover and orders his glasses broken, rendering him unable to see. Both Beni Prasad and Rammoy's daughter Reba question Jayanta’s true identity, which is revealed in a twist at the film's end.
Pratikar
1944
9.0No synopsis available yet.
Jar Jetha Ghar
1949
