Katarzyna Piwowarczyk

The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.

Roman and Hanka have a loving marriage, but his impotence has led to her having an affair. The unbearable situation drives Roman to extreme measures both physically and mentally, testing their love and his own will to live.

As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.

The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.