Tripti Mitra

Based on he daily lives of the fishermen of East Bengal.

A LOST Bengali Film directed by Satyen Bose.

Though times have changed, Ram still uses old ways of farming due to a drought in the village. His brother, Bala, goes to Bombay to earn his living. Mahadev, a Zamindar in the village, eyes Usha, the lover of Bala. Due to the drought, the crops fail in the village, and Shikh Sahib, a social worker, comes to help the farmers, and shows them new ways of farming. Ramu goes to Bombay to take a loan for cooperative farming and asks Bala to turn back to the village, but he refuses. [The film is a socio-economic study of post-independence India, blending documentary elements with narrative storytelling. The film is often described as a "simple story woven into the documentary design" and features actors like Prithviraj Kapoor and Dev Anand.]

On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.

Manik is mentally and physically abused by the manager of the orphanage he lives in. However, when he runs away to Calcutta, he finds himself in deeper trouble in a far more dangerous world.

When a bride vanishes on her wedding day, a web of secrets and forbidden love is exposed. Caught in the crossfire are two young women, each battling against the constraints of caste and tradition. As their lives intertwine, a powerful story unfolds about the enduring power of love and the devastating consequences of societal expectations.

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.

Mohan is fascinated by films and eventually meets a big movie star. The actress, in turn, is charmed by his simple ways. His increasing affection for her is merely a game for the actress.

Amol, a child, is confined to his adoptive uncle's home by an incurable disease. He stands in the courtyard and talks to passers-by and inquires about the places they go to. The construction of a new post office nearby prompts the imaginative Amol to fantasise about receiving a letter from the King or being his postman.