Dilma Lóes

Betão is a countryman who works in a circus, selling peanuts. His daughter also works there, and becomes the circus's greatest attraction. But she decides to marry a rich man, and another circus comes to town, putting his employment in danger.

Marquinhos (Lúcio Andrey) lives in the Rocinha favela, in the city of Rio de Janeiro. He gets involved with Débora (Priscila Assum), a young woman from the upper middle class with whom she starts to face adult life and several difficulties that try to separate them.

Sumuru, the beautiful leader of the all-female kingdom of Femina, plans to use her women to take over the world.

No synopsis available yet.

"Lula, 'bon vivant' who subsists at the expense of small blows, goes on with his life without a present or future purpose. Basically, he just tries to forget having been abandoned by his fiancee Helena, who gave in to his father's imposition. The situations in which he gets involved from then on are paradoxical, trying to survive in the best possible way and spending money he doesn't have, but which comes to him in one way or another. On a day of complete despair, Lula meets a group of "hippies" and leaves catechized. Willing to anything, he becomes a preacher of new customs and new ethics of life. In turn, Helena, whose marriage had failed, dreams of meeting Lula again, hoping to return to his arms.

A couple of freelance explosives experts find jungle adventure while being stalked by a revolutionary leader and a diamond hunter.

Lampião's gang raids a farm just as the wedding of Antônio Saraiva and the Baroness's goddaughter is being prepared. In the shootout, Lampião's brother, Ezequiel, is killed, and in revenge, Lampião burns the Baroness alive and orders the bride to be beaten. Upon arriving at the farm, Antônio discovers everything and vows to follow the gang's footsteps to hell. The cangaceiros continue their atrocities, robbing, killing, and looting, until a priest places a curse on Lampião. The curse transforms into the avenging figure of Antônio, who acquires supernatural powers. He meets Lampião during Maria Bonita's birthday party, and a life-or-death duel ensues.

Three English women on vacation in Brazil shake the structures of a Brazilian bourgeois family, but while one of them finds love, the other two are disappointed in flirting.

Unemployed, penniless in the big city and after accidentally stealing and killing his landlady, Antonio flees Rio de Janeiro towards Northeast of Brazil to find his mother. On the way he meets a beautiful woman and a pair of criminals.

No synopsis available yet.

Three segments with stories about the sexual relationships between adolescent boys and the maids who work at their homes.

A couple do everything in order to stay together, against their families' wish.

The documentary addresses the stereotypes that imprison both men and women, the prejudice against women at the time and the need to legalize abortion to avoid the damage caused by illegal abortion.

Paulo is a middle-class playboy who reluctantly gets involved in a terrorist conspiracy and ends up exiled with the engaged Letícia in an embassy, after a guerrilla camp is discovered by the police and two of them, Sócrates and Mário, fall into shrapnells. Luís and Márcia, a rich couple, spend their time looking for different emotions. They get smet with a couple of lesbians, Márcia flirts with one of them, provoking the jealousy of the other, Susana.

"In the 1970s, Brazil - and much of the rest of Latin America - was ruled by military dictatorships. O amigo Dunor (the friend from the North) is not only set during these 'years of lead', it looks as if the film comes directly from that, as if the cans of film have only recently been found in someone's cellar. ... Marcel, a young French writer, comes to Brazil to fulfill his childhood dream: to get to know exotic Brazil, go to the Amazon and write a book about his experiences. After his arrival in Rio de Janeiro, he quickly makes friends with a group of people working on a crime thriller. Stan is the director of this film, his wife Carla and her daughter Melissa act in it. Julio, an Argentine refugee, is the scriptwriter. This film in the film is about the blind Louis and the handicapped Marta, a married couple with many problems in their relationship and with money … inter-cut with the world of Marcel and his new friends..” - IFFR

The film chronicles both the life and work of Brazilian author and engineer Euclides da Cunha and a failed attempt at directing his biopic in the 1980s and 1990s. Footage from the unfinished film is included alongside archive and documentary material.

Three English women on vacation in Brazil shake the structures of a Brazilian bourgeois family, but while one of them finds love, the other two are disappointed in flirting.

A couple do everything in order to stay together, against their families' wish.

The documentary addresses the stereotypes that imprison both men and women, the prejudice against women at the time and the need to legalize abortion to avoid the damage caused by illegal abortion.

The documentary addresses the stereotypes that imprison both men and women, the prejudice against women at the time and the need to legalize abortion to avoid the damage caused by illegal abortion.

Documentary focusing on contemporary black race status in Brazil, with interviews intertwined with staged scenes.

Documentary focusing on contemporary black race status in Brazil, with interviews intertwined with staged scenes.

Documentary about working mothers who, without government support, have to struggle to care for their children. Through interviews and an intimate camera that wanders through the daily lives of the characters – a bus conductor, a woman who cares for more than ten children in a precarious home, a teacher at an improvised daycare center, among others – Lóes constructs a sensitive and precise argument about the division of care work.

Documentary about working mothers who, without government support, have to struggle to care for their children. Through interviews and an intimate camera that wanders through the daily lives of the characters – a bus conductor, a woman who cares for more than ten children in a precarious home, a teacher at an improvised daycare center, among others – Lóes constructs a sensitive and precise argument about the division of care work.