Bror Berger

Acting

Bror Berger

Known for

Acting

Credits

17 titles

Known for

Film credits

1930s · 5 titles

1920s · 9 titles

Gustaf Wasa, Part One poster
9.0

The story takes its beginning in 1518 , the Danish King Christian II has taken Sweden. Sten Sture the younger appeal to all loyal subjects to resist. The offer reaches the farmer Mats Waltersson in Dalarna , Sweden's heart and he gathers his men. Dalmas were going from house to house, they do not want a Dane on the throne. At Brännkyrka outside Stockholm is a battle between the Danes and Swedes. Swedes win and the Swedish riksbaneret out during the Battle of Gustav Eriksson Vasa.

Gustaf Wasa, Part One

1928

No artwork available
7.0

King Christian II rides busy street by Sweden which he now put under him, while he remembers what he did against the Swedes at the Stockholm Bloodbath. In dala heels walk a lonely man, dressed as a peasant. It's the one the Danes would prefer to get hold of - Gustaf Eriksson Vasa . He goes from Rankhyttan to Ornäs , where he is kindly received by the farmer Arendt Persson, but Arendt is a deceitful man who has thought enter Wasa to the Danish bailiff. But Arendt's wife helps Wasa to escape and he continues his long journey.

Gustaf Wasa, Part Two

1928

A Lover in Pawn poster
6.9

About loaner Master Samuel, based on a writings by Hjalmar Bergman

A Lover in Pawn

1920

Getting Baron Olson Married, Ltd. poster
9.0

Baron Baltzar Casimir Von Gahl - after an earlier adventure commonly known as "Baron Olson" - owns an old farm, but has huge debts.

Getting Baron Olson Married, Ltd.

1928

Karin, Daughter of Ingmar poster
5.8

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.

Karin, Daughter of Ingmar

1920

Love's Crucible poster
6.5

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

Love's Crucible

1922

No artwork available
6.3

Anne Marie gets invited by her aunt to a hotel to to meet her admirers. Not to fulfill her aunt's wishes, but to verify who works at the hotel.

Constable Paulus’ Easter Cracker

1925

The Hell Ship poster
6.2

A naval adventure that focuses on the rivalry among the crew, particularly the indignation wrought by the behavior of inplacable Captain Steen. Dick, one of the sailors, is one of the most rebellious and draws up plans to exact vengeance. The opportunity arises, but an incident that may sink the ship changes the focus of attention. The lighting for the film and the composition of the scenes are regarded as the highlights of the movie.

The Hell Ship

1923

A Wild Bird poster
5.3

A woman searches for the child she gave up at birth.

A Wild Bird

1921

Behind the camera