Elspeth MacNaughton

A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.

Spirited dialogue, posh Roaring '20s style, and devious mysteries abound as Tommy and Tuppence Beresford mix marriage and mystery solving.

Dramatisations of three different women, three different cases—Constance Kent (episodes 1–8), Mary Blandy (9–14), and Adelaide Bartlett (15–22)—all 18th- and 19th-century murderesses.

Ladies in Charge is a 1986 British television drama, an expansion from a 1985 pilot in the Storyboard anthology programme. Produced by Thames Television for ITV, the six-episode programme stars Carol Royle, Julia Hills, and Julia Swift. After serving as World War I ambulance drivers, three women start a private agency in London to solve problems for clients, blending mystery and drama with a lighthearted tone. They take on various cases, from finding lost items to uncovering secrets, often challenging societal expectations for women of the era.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

Set in Edinburgh, the series contrasts the high powered and respectable world of the lawyers and advocates of the Scottish legal profession, with the sleazy and deadly existence of the city's pimps, prostitutes and drug addicts. When a young prostitute is murdered by a deadly drug overdose, only Doctor Joe Sangster, who has been treating her at the local health clinic, suspects foul play. In the growing climate of fear over drugs and AIDS in the city, his clinic faces closure due to a local campaign. He turns to Greg McDowell for help, and the young lawyer sees the chance to make a name for himself.

A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.

Spirited dialogue, posh Roaring '20s style, and devious mysteries abound as Tommy and Tuppence Beresford mix marriage and mystery solving.

Dramatisations of three different women, three different cases—Constance Kent (episodes 1–8), Mary Blandy (9–14), and Adelaide Bartlett (15–22)—all 18th- and 19th-century murderesses.

Ladies in Charge is a 1986 British television drama, an expansion from a 1985 pilot in the Storyboard anthology programme. Produced by Thames Television for ITV, the six-episode programme stars Carol Royle, Julia Hills, and Julia Swift. After serving as World War I ambulance drivers, three women start a private agency in London to solve problems for clients, blending mystery and drama with a lighthearted tone. They take on various cases, from finding lost items to uncovering secrets, often challenging societal expectations for women of the era.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

Set in Edinburgh, the series contrasts the high powered and respectable world of the lawyers and advocates of the Scottish legal profession, with the sleazy and deadly existence of the city's pimps, prostitutes and drug addicts. When a young prostitute is murdered by a deadly drug overdose, only Doctor Joe Sangster, who has been treating her at the local health clinic, suspects foul play. In the growing climate of fear over drugs and AIDS in the city, his clinic faces closure due to a local campaign. He turns to Greg McDowell for help, and the young lawyer sees the chance to make a name for himself.

Flemish peasant Madeleine Vanderlynden has a farm situated in French Flanders, close to the WWI Front, with some British troops billeted there. Madeleine is determined to track down Georges D’Archeville, son of the local baron who owns the land on which the farm stands, with whom she had an affair before he went off to war.