Floraine Connors

It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.

Looking for "Mr. Right" in all the wrong places makes for a tragic comedy.

A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.

A desperate, married woman meets a mysterious man who she blatantly desires. Through some twists and turns, things do not go over as well as she seems to wish.

The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project. A theatrical play incubates in the balding head of the videomaker and as its presence makes itself felt among the various victims of his vision, we share with them the horror of advancing age and the descriptive diatribes toward the destiny of the decrepit damned.

Corruption of the Damned might seethe with violence and sex, the two most attractive things you can put on the screen, but beneath them a twisted outlook pervades.

" ENCYCLOPEDIA OF THE BLESSED culminates my involvement with artist Red Grooms and Mimi Gross. It is a diary of our work as we head for the Pacific Ocean in a suicidal plunge for theatrical infamy. The film traces the construction of two craven images made in the likeness of myself by Grooms and Gross. Then it switches to the sandhills of Nebraska where fat cattle walk around. There the film explores Grooms' biggest construction, "The Chicago Installation." The film rolls relentlessly onward to the West Coast showing, for the first time on any screen, a theatrical production we three put in the University of California. It marks my directorial debut on the stage and Red Grooms' comeback after ten years of exile from live theatre." - George Kuchar