Graham Dickson

A plover chick has not learned to fly when his family migrates in the fall. He must survive the arctic winter, vicious enemies and himself in order to be reunited with his beloved one next spring.

Stanley Kovack (Tim Bentinck) is an aging stand up comedian living in London. After a lifetime of easy successes and failed promises, he is left with little more than the memories of his auspicious beginnings. As he stands on the ruins of his personal life and in the last throws of his career, Stanley finds an opportunity for fame and success. He meets Morris (James Phelps), a young stand up comedian at his creative peak and on the verge of comedic triumph.

Carol Bailey is buckling under the weight of financial pressure, family responsibilities and his own ambition and desires. After endless parties, too many dead-end jobs and family arguments, Bailey becomes Self-Destructive. Resorting to violence and severing all ties of friendship and love, Bailey enters a world where his friends are unable to follow. After a self-imposed exile Bailey returns to London to apologise, things have changed. Not everyone is sympathetic to his sudden re-appearance and there are others who will stop at nothing to make Bailey’s life a living hell. Faced with a relationship lost amongst affluence and drug-fueled parties, Bailey must accept his own limitations and confront the demons of his past.

A college reunion goes awry when Pete suspects his friends may be out to get him... As their weekend getaway grows more and more uncomfortable, should Pete be worried about his safety, or is it all in his head?

An entirely improvised comedy play, with a cast who conjure up a 'lost' Jane Austen novel, based on nothing more than a title suggested by the audience.

Need for Speed (Dating) is a touching and light-hearted comedy featuring Nate, Polly and their perfect relationship: There's a problem though -- their relationship is just a dream. Polly tries to find her dream date at a speed dating event. But can anyone live up to her dream boyfriend?

CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their mission quickly turns into a delirious trap, far more complex than expected, as the fabric of reality starts unraveling around them.

In a ruined palace that seems to have survived the passage of time, a King is served his complicated daily ritual by his Valet. All under the watchful eye of the Queen, played by a wooden mannequin. Each is in his role, accustomed to this routine that is as ceremonial as it is absurd... But each of them is actually envious of the other's fate, as reflected in their dreams.

During another dull day connecting long distance intergalactic calls from a remote satellite, Michael receives a distress call. No one ever receives a distress call. They barely touch on distress calls during the induction day.

My dear friends, it's time for us to welcome you to another 'lost' Jane Austen novel. It's been improvised from start to finish by the amazing cast of Austentatious. The actors conjure up the story from nothing, backed by fully improvised lighting, soundtrack and, now I come to think about it, our camerawork too. This is the third time we have recorded Austentatious, this time as part of their residency at the Arts Theatre in London's glittering West End.

Austentatious is an award-winning improvised comedy show in the style of the wondrous and witty Jane Austen. Every performance is made up on the spot based simply on a title suggested by the audience, so be it “Mansfield Shark”, “Darcy and Hutch” or “I Know What You Did Last Season”, no two shows are the same. Performed in period costume with live cello accompaniment, Austentatious is an immersive and hilarious treat for fans of Austen and improvised comedy alike.

After twenty years apart, Kevin bumps into a very special old friend.

Tom - while attempting to eulogise his very kind, caring mother - is interrupted by his girlfriend Ellie, who feels perhaps she should be receiving these kind of compliments and speeches a little more instead of his sadly passed mum, and can’t help herself from letting the rest of the congregation hear her grievances, even though it isn’t necessarily the best time to bring it up.

The team are back - this time taking the air in Folkestone, where the men are not quite like other men in Austen's England.

A couple think moving to the coast will solve everything.

Jason (Danny Bedford) is in a crisis. He won’t go to work and stays holed up in his flat. But when his TV breaks, he is forced to call co-worker Richard (Sean Hart) to fix it. All is normal, except when Jason mentions that a friend of his may be dead in his bed. Instead of hightailing it out of the potential murder scene, Richard (who has the hots for Jason) instead not only checks the body (yes, dead) but also proposes a homemade autopsy. And when the scalpel cuts the flesh, these two young men are now in it together. But it is not just one body, a serial killer is roaming London’s streets, but the bodies seem to all end up in Jason’s flat.

Everywhere he looks, Martin sees beauty, the beauty of an elderly couple in love, of a new life, of the woman across the cafe... Martin sees beauty everywhere, except in the mirror. Consumed by self-pity, he decides to take drastic measures to be part of the world from which he feels so excluded.

Opposing sexual appetites and dietary ethics bring a stagnant relationship to a theatrical and suprising crescendo as a heartfelt revelation confronts the elephant in the room.

A couple think moving to the coast will solve everything.