Dietmar Burkhard

Between 1817 and 1821, Berlin's court theater director Count Brühl has been fighting desperately for years for a German theater, for German opera. He knows that the man who could do it lives in Dresden: Carl Maria von Weber. Brühl could win him over as Kapellmeister for Berlin, but the king prefers Gasparo...

Based on a true story, Miguel Alexandre's two-part drama focuses on an East German woman and the fight for her children. Spring 1982: Sara Bender, living with her daughters Silvia and Sabine in the East German town of Erfurt, wants to marry her colleague Peter, but shortly before the wedding, her father is killed in a road accident. As the funeral takes place in West Germany, she isn't allowed to got there, so she starts planning to leave her communist home country forever. Trying to flee via Romania, she is caught by the secret service. After years in jail, Sara is ransomed by the West German government, but without her daughters. To draw the world's attention on her desperate situation, she starts demonstrating at the Berlin border crossing Checkpoint Charlie

Ten-year-old Ole is full of mischief. He attempts to fly and is hospitalized with a broken leg. When he sees a Sherlock Holmes movie on TV, however, he forgets about the pains and comes up with a new plan. Disguised as Sherlock Holmes and Dr. Watson, he and his friend Andreas start searching for criminals. Soon, the two boys detect their first case. On the street they meet a man wearing a stuck-on beard. The hobby detectives find this very suspicious and decide to follow him.

Johanna is a dedicated female scientist in a near-future world. Her research team develops a drug called "Petersein masculinum 199," capable of transforming a woman into a man. Driven by scientific curiosity and an unrequited love for her cold project leader, Professor Peters, Johanna volunteers as the first human test subject.The chemical process succeeds, and she becomes a man named Johann Anders. However, the physical triumph quickly turns into a psychological crisis. As Johann, she experiences the world from a male perspective and is shocked by what she finds. The men around her live in a world of emotional detachment, power struggles, and casual sexism.When Johann sees how the Professor emotionally mistreats his own daughter, the illusion shatters. Horrified by the lack of empathy required to thrive in this patriarchal society, Johann ends the experiment on day 29. She chooses to change back into a woman, rejecting the toxic male world.