Gerardo Panichi

Eva, a mysterious doctor, searches for an answer to her urgent dilemma as she unravels Dr. Anmuth's Book of Vision. Henry gets involved in her life and is forced to confront his own nature, as Eva faces the biggest decision of her life.

After his pregnant wife Yi-ting unexpectedly committed suicide, Ming decides to take care of his father-in-law, only to find out the unbearable truth of Yi-ting’s family that leads to her death.

Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE and the personal involvement of some of the most representative figures of the American culture itself. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

No synopsis available yet.

Many years ago, in a nearly deserted town at the foot of a mountain, lives Agostino with his wife Nina and his son Giovanni. The mountain rises up like a wall blocking out the sun that never reaches their fields below, now reduced to just stones and underbrush. Agostino, even though everything suggests him to leave, decides that the destiny of his family is there, among the peaks. He is not only driven by stubbornness, but by the certainty that our roots cannot betray us and that with the help of our spirit we can bring the sun on every destiny.

Eva, a mysterious doctor, searches for an answer to her urgent dilemma as she unravels Dr. Anmuth's Book of Vision. Henry gets involved in her life and is forced to confront his own nature, as Eva faces the biggest decision of her life.

After his pregnant wife Yi-ting unexpectedly committed suicide, Ming decides to take care of his father-in-law, only to find out the unbearable truth of Yi-ting’s family that leads to her death.

Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE and the personal involvement of some of the most representative figures of the American culture itself. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE and the personal involvement of some of the most representative figures of the American culture itself. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

No synopsis available yet.

Many years ago, in a nearly deserted town at the foot of a mountain, lives Agostino with his wife Nina and his son Giovanni. The mountain rises up like a wall blocking out the sun that never reaches their fields below, now reduced to just stones and underbrush. Agostino, even though everything suggests him to leave, decides that the destiny of his family is there, among the peaks. He is not only driven by stubbornness, but by the certainty that our roots cannot betray us and that with the help of our spirit we can bring the sun on every destiny.