Myriam Boyer

Chloé, a fragile young woman, falls in love with her psychoanalyst, Paul. A few months later she moves in with him, but soon discovers that her lover is concealing a part of his identity.

Jacques Mesrine, a loyal son and dedicated soldier, is back home and living with his parents after serving in the Algerian War. Soon he is seduced by the neon glamour of sixties Paris and the easy money it presents. Mentored by Guido, Mesrine turns his back on middle class law-abiding and soon moves swiftly up the criminal ladder.

In 1930s Paris, Madeleine, a pretty, young, penniless, and talentless actress, is accused of murdering a famous producer. Helped by her best friend, Pauline, a young, unemployed lawyer, she is acquitted on the grounds of self-defense. A new life of fame and success begins, until the truth comes out.

After nearly two decades of legendary criminal feats, making him France's most notorious criminal while simultaneously feeding his desire for media attention and public adoration, Mesrine becomes increasingly paranoid and isolated, leading to a dramatic confrontation with the law that ultimately seals his fate as the nation's most infamous public enemy.

Visitors young and old get up to fun antics and romance at a seaside hotel in Brittany, France.

A look at the lives of several men and women in their 30s as they confront the slim gains of the "revolutionary" sixties. Max, a dissatisfied copy editor; Myriam, a redhead into tantric sex; and Marie, a supermarket checker who gives unauthorized discounts to the elderly, search for renewed meaning on a communal farm. The title character, a six-year-old child, is the carrier of their hopes for the future.

Monsieur Papa is a moving portrait of a modern family, centering around 12 year-old Marius Vallois. Born in a wealthy family, Marius is the son of Marie Vallois, a successful CEO. Marie loves her son unconditionally, but Marius has never known his father and suffers greatly from it. When Marius starts shoplifting and doing badly at school, Marie decides to recruit a father figure for him. One day in her office building, she meets Robert Pique. Robert is a peculiar man who has a background in finance, but makes ends meet ironing clothes for his neighbors. Reluctant at first, Robert agrees to be paid to meet Marius and pretends to be his father. Marius immediately understands that Robert is not his dad, but very quickly, a deep bond develops between them.

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

In industrial Lyon of the early '50s, a widowed bar-owner listens to radio crime serials, reads detective magazines, and grieves for her daughter, killed two years earlier in a mineshaft accident. Consumed by her loss and unwilling to face the truth, the bar-owner becomes suspicious of the grim patrons in her drab tavern, seeking someone to blame as she contemplates revenge.

A girl, whose father is from Greece, studies ancient art in France. The film was made for television but never broadcast for political reasons related to its portrayal of Greeks. A work print was screened in Belgium in 1971, and the film is now available in reconstructed form.

It is the end of the judicial control of Thierry Chartier, 18 years old. He was a virgin in Heuzecourt, a small village in the north of France populated by farmers and retired miners, where his paternal grandmother lived. He earns his living by helping out in the fields, he helps his grandmother, and would like to take over the farm. But, following an incident, he is condemned to seven years of criminal imprisonment, for complicity of murder, Thierry leaves on parole with an English diploma and a tattoo. But above all a guilt forever anchored. It is now up to him to rebuild his life.

Following the death of his wife, a renowned musician ostracises himself from the outer world and dedicates his life to music. However, his life changes when a young man approaches him to learn music.

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

Tired of being a housewife, Annie wants to work. Between her professional life and her responsibilities as a parent, she can no longer cope. She decides to leave and starts writing a memoir of her life...

After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who likes to write poetry, who only wants to be left alone to do his job, becomes a target for Communist harassment as they try and locate a particular loyalist, and he pushes back.

A Grand Slapstick comedy about four buddies serving in the army. Their long-suffering sergeant attempts to whip them into shape but the conflict spirals out of control.

Mado works at a supermarket. At 56 years old, she needs the job, but after being forced to use a goofy hat, she escapes to visit her son.

Zora, a young girl who has never left the suburbs, spends her summer vacation with a family who lives on a farm. There she discovers a new world.

A car dealer, well-to-do and with a beautiful wife, finds himself attracted to his rather plain new temporary secretary. Despite her own commitments she feels the same and the two soon embark on an affair. Though it would seem it has happened before his wife finds this particular entanglement of her husband's very difficult to accept.

Zef, twenty years old, is a simple-minded man who can only say one word: "love you". Always happy, loving everyone, he lives with his sister Sophie on a farm in the Lot. Attracted by the sad smile of Marie, he rapes her one evening without realizing the gravity of his act. Commited in a psychiatric asylum, Zef falls into a deep silence. Hugues, a doctor with avant-garde methods, is in charge of caring for Marie. He decides to confront her with Zef, convinced that her healing goes through a long reappropriation of life and love.

In a lively shopping center, proprietors and customers are bustling, including three women vying for a man's heart with song and dance.

The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?

The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

Loosely based on the notorious Richard Speck murders, this is the grim tale of a disturbed Vietnam vet returning home via Belfast, who invades a house shared by eight nurses and proceeds to terrorize and murder them.

In industrial Lyon of the early '50s, a widowed bar-owner listens to radio crime serials, reads detective magazines, and grieves for her daughter, killed two years earlier in a mineshaft accident. Consumed by her loss and unwilling to face the truth, the bar-owner becomes suspicious of the grim patrons in her drab tavern, seeking someone to blame as she contemplates revenge.

In industrial Lyon of the early '50s, a widowed bar-owner listens to radio crime serials, reads detective magazines, and grieves for her daughter, killed two years earlier in a mineshaft accident. Consumed by her loss and unwilling to face the truth, the bar-owner becomes suspicious of the grim patrons in her drab tavern, seeking someone to blame as she contemplates revenge.

In industrial Lyon of the early '50s, a widowed bar-owner listens to radio crime serials, reads detective magazines, and grieves for her daughter, killed two years earlier in a mineshaft accident. Consumed by her loss and unwilling to face the truth, the bar-owner becomes suspicious of the grim patrons in her drab tavern, seeking someone to blame as she contemplates revenge.

Re-adaptation of the novel by Emile Ajar (Romain Gary). The story of the Arab orphan boy Momo and the aged prostitute Madame Rosa, who survived Auschwitz.

Re-adaptation of the novel by Emile Ajar (Romain Gary). The story of the Arab orphan boy Momo and the aged prostitute Madame Rosa, who survived Auschwitz.