Luis Eduardo Yee

Two strangers experience the magic of their unexpected connection one night in Mexico City.

A man named Maupassant arrives at the hospital after cutting off his own hand, convinced that his limb wants to kill him. Obsessed, a nurse named Rosario will begin to wonder if what the patient says is true.

Carmela leads a quiet life in the countryside next to his grandfather until April, an adventurous carefree girl, breaks into her daily life. This meeting will lead her to explore new paths in her life.

Just as Elisa and Marcos are about to break up, they find out that they’re going to have a baby. Together, they will have to face their problems if they want to recover their lost love.

PASCUAL and REMIGIO know they have done something hideous and terrible. They can't forgive themselves. Empty holsters and no money is what it has come to after this unspeakable crime. They will die. It's just a matter of days. BOSCO is on their trail to bring them to justice. They go into what seems like a normal forest. And boy do they run for their lives. If they keep running like that they'll die anyway. The seek refuge, they seek water, they seek life. And they fear death the most. Foolish Pascual even plays with the idea of finding God and asking him the question of the ages: Is there life after death? But things get in their way. They stumble upon HALI, a woman that roams the forest with just her donkey as a companion. Remigio wants to eat the donkey. Pascual wants the lady. Food and love. They forget they're going to die, even for just a little while. But the forest has other plans, and maybe the answer they thought was impossible to get is just a couple of walking days away.

During the holidays, Amanda, trapped in adolescence, looks for a way to escape from the annoying family trip. While travelling, she realizes how her relationship with her family is progressively crumbling and her parents marriage is slowly falling apart. She sees it as a punishment, but does not suspect that with the imminent escalation of violence in Mexico this could be their last vacation together.

Rosario Castellanos is an introverted university student who doesn't seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.

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