Keiichi Tanaami

Based on a major exhibition at the Ashmolean in Oxford, Tokyo Stories spans 400 years of incredibly dynamic art – ranging from the delicate woodblock prints of Hokusai and Hiroshige, to Pop Art posters, contemporary photography, Manga, film, and brand-new artworks that were created on the streets. The exhibition was a smash-hit five-star success and brought a younger and more diverse audience to the museum. The film uses the exhibition as a launchpad to travel to Tokyo itself, and explore the art and artists of the city more fully. A beautifully illustrated and richly detailed film, looking at a city which has undergone constant destruction and renewal over its 400-year history, resulting in one of the most vibrant and interesting cities on the planet…

The late Fujio Akatsuka is revered by many Japanese artists and scholars for his developments to early comedy manga, but his contributions aren't just limited to the world of print media. Featuring commentary from family, friends, colleagues, and celebrity fans, Fujio Akatsuka's story is told with archival footage and animation, showcasing the life of the man who went beyond manga.

A boxing ring turns into a stage for abstract animation where the punches thrown in the match and the halftone dots in reprographics gradually become indistinguishable. Tanaami shot a boxing match on a Motordrive camera, made two thousand offset prints, and rephotographed each of them. He explains his inspiration for the work being the experience of watching a boxing match on television but finding the newspaper print the next morning better capturing the exhilaration of the sport.

A boxing ring turns into a stage for abstract animation where the punches thrown in the match and the halftone dots in reprographics gradually become indistinguishable. Tanaami shot a boxing match on a Motordrive camera, made two thousand offset prints, and rephotographed each of them. He explains his inspiration for the work being the experience of watching a boxing match on television but finding the newspaper print the next morning better capturing the exhilaration of the sport.

A collaborative film between Keiichi Tanaami and Nobuhiro Aihara with a new interpretation of the traditional Japanese folk tale.

An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.

An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.

In Madonna, Tanaami employs his signature collage-style animation, combining pop art influences, retro aesthetics, and surrealistic motifs. The film explores themes of desire, fantasy, and memory, often referencing elements of post-war Japanese culture and American pop culture.

In Madonna, Tanaami employs his signature collage-style animation, combining pop art influences, retro aesthetics, and surrealistic motifs. The film explores themes of desire, fantasy, and memory, often referencing elements of post-war Japanese culture and American pop culture.

A short film by Keiichi Tanaami.

By the maker of Yellow Night. Also an exercise in the storyless and meaningless description of a drawn journey through the subconscious. Hallucination as a cheerful firework display. Made with style and skill, because nonchalance obviously has to be conquered. (IFFR)

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A psychedelic collage of wartime stock footage and family photos, suggesting an underlying message of peace.

A psychedelic collage of wartime stock footage and family photos, suggesting an underlying message of peace.

The bridge as the channel between worlds: between the living and the dead, between male and female, between sacred and profane.

The human eye, a well-known psychedelic motif, is multiplied and sharpened in Keiichi Tanaami's film trip 4 Eyes. Using his experience designing nightclubs, Tanaami projects two copies of the same film with a slight delay, so that it appears as if the ghost is losing consciousness. (IFFR)

The human eye, a well-known psychedelic motif, is multiplied and sharpened in Keiichi Tanaami's film trip 4 Eyes. Using his experience designing nightclubs, Tanaami projects two copies of the same film with a slight delay, so that it appears as if the ghost is losing consciousness. (IFFR)

A wordless short homage to the maestro of pittura metafisica.

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

No synopsis available yet.